Banquet

At this some of the company urged Critobulus to take his kisses, the need of victory; others advised him to get the consent of the young people’s legal guardian; and others indulged in other badinage. But even then Hermogenes kept silent. And Socrates, calling him by name, inquired, Hermogenes, could you define convivial unpleasantness for us? If you ask me what it actually is, he answered, I do not know; but I am willing to tell you what I think it is. Soc. Very well, tell us that.

Herm. My definition of convivial unpleasantness is the annoying of one’s companions at their drink.Soc. Well, do you realize that at the present moment you conform to the definition by annoying us with your taciturnity?Herm. What! while you are talking?No, but in the intervals.Why, don’t you see that a person could not insert even a hair in the interstices of your talk, much less a word?

Callias, said Socrates, appealing to him, could you come to the rescue of a man hard put to it for an answer? Yes, indeed, said he: we are absolutely quiet every time the flute is played. Hermogenes retorted, Is it your wish that I should converse with you to the accompaniment of a flute, the way the actor Nicostratus used to recite tetrameter verses?

In Heaven’s name, do so, Hermogenes, urged Socrates. For I believe that precisely as a song is more agreeable when accompanied on the flute, so your discourse would be embellished somewhat by the music, especially if you were to gesticulate and pose, like the flute-girl, to point your words.

What is the tune to be, asked Callias, when Antisthenes here gets some one at the banquet cornered in an argument? For the discomfited disputant, said Antisthenes, I think the appropriate music would be a hissing.