Memorabilia
Xenophon
Xenophon in Seven Volumes Vol 4; Marchant, E. C. (Edgar Cardew), 1864-1960, translator; Marchant, E. C. (Edgar Cardew), 1864-1960, editor
If any hold the opinion expressed in some written and spoken criticisms of Socrates that are based on inference, and think, that though he was consummate in exhorting men to virtue, he was an incompetent guide to it, let them consider not only the searching cross-examination with which he chastised those who thought themselves omniscient,[*](Sophists.) but his daily talks with his familiar friends, and then judge whether he was capable of improving his companions.
I will first state what I once heard him say about the godhead in conversation with Aristodemus the dwarf, as he was called. On learning that he was not known to sacrifice or pray or use divination, and actually made a mock of those who did so, he said: Tell me, Aristodemus, do you admire any human beings for wisdom?I do, he answered.
Tell us their names.In epic poetry Homer comes first, in my opinion; in dithyramb, Melanippides; in tragedy, Sophocles; in sculpture, Polycleitus; in painting, Zeuxis.
Which, think you, deserve the greater admiration, the creators of phantoms without sense and motion, or the creators of living, intelligent, and active beings?Oh, of living beings, by far, provided only they are created by design and not mere chance.Suppose that it is impossible to guess the purpose of one creature’s existence, and obvious that another’s serves a useful end, which, in your judgment, is the work of chance, and which of design?Presumably the creature that serves some useful end is the work of design.
Do you not think then that he who created man from the beginning had some useful end in view when he endowed him with his several senses, giving eyes to see visible objects, ears to hear sounds? Would odours again be of any use to us had we not been endowed with nostrils? What perception should we have of sweet and bitter and all things pleasant to the palate had we no tongue in our mouth to discriminate between them?
Besides these, are there not other contrivances that look like the results of forethought? Thus the eyeballs, being weak, are set behind eyelids, that open like doors when we want to see, and close when we sleep: on the lids grow lashes through which the very winds filter harmlessly: above the eyes is a coping of brows that lets no drop of sweat from the head hurt them. The ears catch all sounds, but are never choked with them. Again, the incisors of all creatures are adapted for cutting, the molars for receiving food from them and grinding it. And again, the mouth, through which the food they want goes in, is set near the eyes and nostrils; but since what goes out is unpleasant, the ducts through which it passes are turned away and removed as far as possible from the organs of sense. With such signs of forethought in these arrangements, can you doubt whether they are the works of chance or design?No, of course not.
When I regard them in this light they do look very like the handiwork of a wise and loving creator.What of the natural desire to beget children, the mother’s desire to rear her babe, the child’s strong will to live and strong fear of death?Undoubtedly these, too, look like the contrivances of one who deliberately willed the existence of living creatures.