Deipnosophistae

Athenaeus of Naucratis

Athenaeus. The Deipnosophists or Banquet Of The Learned Of Athenaeus. Yonge, Charles Duke, translator. London: Henry G. Bohn, 1854.

Alexander the king was also very much in the habit

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of giving in to this fashion. Accordingly, Dicæarchus, in his treatise on the Sacrifice at Troy, says that he was so much under the influence of Bagoas the eunuch, that he embraced him in the sight of the whole theatre; and that when the whole theatre shouted in approval of the action, he repeated it. And Carystius, in his Historic Commentaries, says,—
Charon the Chalcidian had a boy of great beauty, who was a great favourite of his: but when Alexander, on one occasion, at a great entertainment given by Craterus, praised this boy very much, Charon bade the boy go and salute Alexander: and he said, 'Not so, for he will not please me so much as he will vex you.' For though the king was of a very amorous disposition, still he was at all times sufficiently master of himself to have a due regard to decorum, and to the preservation of appearances. And in the same spirit, when he had taken as prisoners the daughters of Darius, and his wife, who was of extraordinary beauty, he not only abstained from offering them any insult, but he took care never to let them feel that they were prisoners at all; but ordered them to be treated in every respect, and to be supplied with everything, just as if Darius had still been in his palace; on which account, Darius, when he heard of this conduct, raised his hands to the Sun and prayed that either he might be king, or Alexander.

But Ibycus states that Talus was a great favourite of Rhadamanthus the Just. And Diotimus, in his Heraclea, says that Eurystheus was a great favourite of Hercules, on which account he willingly endured all his labours for his sake. And it is said that Argynnus was a favourite of Agamemnon; and that they first became acquainted from Agamemnon seeing Argynnus bathing in the Cephisus. And afterwards, when he was drowned in this river, (for he was continually bathing in it,) Agamemnon buried him, and raised a temple on the spot to Venus Argynnis. But Licymnius of Chios, in his Dithyrambics, says that it was Hymenæus of whom Argynnus was a favourite. And Aristocles the harp-player was a favourite of King Antigonus: and Antigonus the Carystian, in his Life of Zeno, writes of him in the following terms: —

Antigonus the king used often to go to sup with Zeno; and once, as he was returning by daylight from some entertainment, he went to Zeno's house, and persuaded him to go
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with him to sup with Aristocles the harp-player, who was an excessive favourite of the king's.

Sophocles, too, had a great fancy for hating boy-favourites, equal to the addiction of Euripides for women. And accordingly, Ion the poet, in his book on the Arrival of Illustrious Men in the Island of Chios, writes thus:—"I met Sophocles the poet in Chios, when he was sailing to Lesbos as the general: he was a man very pleasant over his wine, and very witty. And when Hermesilaus, who was connected with him by ancient ties of hospitality, and who was also the proxenus[*]("Of far greater importance was the public hospitality (προξενία) which existed between two states, or between an individual or a family on the one hand, and a whole state on the other . . . . When two states established public hospitality, it was necessary that in each state persons should be appointed to show hospitality to, and watch over the interests of all persons who came from the state connected by hospitality. The persons who were appointed to this office, as the recognised agents of the state for which they acted, were called πρόξενοι. . . . . . "The office of πρόξενος, which bears great resemblance to that of a modern consul, or minister resident, was in some cases hereditary in a particular family. When a state appointed a proxenus, it either sent out one of its own citizens to reside in the other state, or it selected one of the citizens of the other, and conferred on him the honour of proxenus . . . . This custom seems in later times to have been univer- sally adopted by the Greeks. . . . "The principal duties of a proxenus were to receive those persons, especially ambassadors, who came from the state which he represented; to procure for them admission to the assembly, and seats in the theatre; to act as the patron of the strangers, and to mediate between the two states, if any dispute arose. If a stranger died in the state, the proxenus of his country had to take care of the property of the deceased. The proxenus usually enjoyed exemption from taxes; and their persons were inviolable both by sea and land."—Smith, Diet. Ant. v. Hospitium, p. 491. ) of the Athenians, entertained him, the boy who was mixing the wine was standing by the fire, being a boy of a very beautiful complexion, but made red by the fire: so Sophocles called him and said, 'Do you wish me to drink with pleasure? and when he said that he did, he said, 'Well, then, bring me the cup, and take it away again in a leisurely manner.' And as the boy blushed all the more at this, Sophocles said to the guest who was sitting next to him, 'How well did Phrynichus speak when he said—

  1. The light of love doth shine in purple cheeks.
And a man from Eretria, or from Erythræ, who was a school—
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master, answered him,—' You are a great man in poetry, O Sophocles; but still Phrynichus did not say well when he called purple cheeks a mark of beauty. For if a painter were to cover the cheeks of this boy with purple paint he would not be beautiful at all. And so it is not well to compare what is beautiful with what is not so.' And on this Sophocles, laughing at the Eretrian, said,—' Then, my friend, I suppose you are not pleased with the line in Simonides which is generally considered among the Greeks to be a beautiful one—
  1. The maid pour'd forth a gentle voice
  2. From out her purple mouth.
Pindar, Ol. vi. 71.
And you do not either like the poet who spoke of the golden-haired' Apollo; for if a painter were to represent the hair of the god as actually golden, and not black, the picture would be all the worse. Nor do you approve of the poet who spoke of rosy-fingered.[*](Homer gives this epithet to Aurora, Iliad, i. 477, and in many other places.) For if any one were to dip his fingers in rosy-coloured paint he would make his hands like those of a purple-dyer, and not of a pretty woman.' And when they all laughed at this, the Eretrian was checked by the reproof; and Sophocles again turned to pursue the conversation with the boy; for he asked him, as he was brushing away the straws from the cup with his little finger, whether he saw any straws: and when he said that he did, he said, 'Blow them away, then, that you may not dirty your fingers.' And when he brought his face near the cup he held the cup nearer to his own mouth, so as to bring his own head nearer to the head of the boy. And when he was very near he took him by the hand and kissed him. And when all clapped their hands, laughing and shouting out, to see how well he had taken the boy in, he said, ' I, my friends, am meditating on the art of generalship, since Pericles has said that I know how to compose poetry, but not how to be a general; now has not this stratagem of mine succeeded perfectly?' And he both said and did many things of this kind in a witty manner, drinking and giving himself up to mirth: but as to political affairs he was not able nor energetic in them, but behaved as any other virtuous Athenian might have done.

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And Hieronymus of Rhodes, in his Historic Commen- taries, says that Sophocles was not always so moderate, but that he at times committed grater excesses, and gave Euripides a handle to reproach him, as bringing himself into disrepute by his excessive intemperance.

And Theopompus, in his treatise on the Treasures of which the Temple at Delphi was plundered, says that

Asopichus, being a favourite of Epaminondas, had the trophy of Leuctra represented in relief on his shield, and that he encountered danger with extraordinary gallantry; and that this shield is consecrated at Delphi, in the portico.
And in the same treatise, Theopompus further alleges that
Phayllus, the tyrant of Phocis, was extremely addicted to women; but that Onomarchus used to select boys as his favourites: and that he had a favourite, the son of Pythodorus the Sicyonian, to whom, when he came to Delphi to devote his hair to the god (and he was a youth of great beauty), Onomarchus gave the offerings of the Sybarites-four golden combs. And Phayllus gave to the daughter of Diniades, who was a female flute-player, a Bromiadian,[*](Schweighauser says this word is to him totally unintelligible.) a silver goblet of the Phocæans, and a golden crown of ivy-leaves, the offering of the Peparethians. And,
he says, "she was about to play the flute at the Pythian games, if she had not been hindered by the populace.

Onomarchus also gave,
as he says, "to his favourite Lycolas, and to Physcidas the son of Tricholaus (who was very handsome), a crown of laurel, the offering of the Ephesians. This boy was brought also to Philip by his father, but was dismissed without any favour. Onomarchus also gave to Damippus, the son of Epilycus of Amphipolis, who was a youth of great beauty, a present which had been consecrated to the god by Plisthenes.

And Philomelus gave to Pharsalia, a dancing-woman from Thessaly, a golden crown of laurel-leaves, which had been offered by the Lampsacenes. But Pharsalia herself was afterwards torn to pieces at Metapontum, by the soothsayers, in the market-place, on the occasion of a voice coming forth out of the brazen laurel which the people of Metapontum had set up at the time when Aristeas of Proconnesus was sojourning among them, on his return, as he stated, from the
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Hyperboreans, the first moment that she was seen entering the market-place. And when men afterwards inquired into the reason for this violence, she was found to have been put to death on account of this crown which belonged to the god.

Now I warn you, O philosophers, who indulge in unnatural passions, and who treat the great goddess Venus with impiety, to beware, lest you be destroyed in the same manner. For boys are only handsome, as Glycera the courtesan said, while they are like women: at least, this is the saying attributed to her by Clearchus. But my opinion is that the conduct of Cleonymus the Spartan was in strict conformity with nature, who was the first man to take such hostages as he took from the Metapontines—namely, two hundred of their most respectable and beautiful virgins; as is related by Duris the Samian, in the third book of his History of Agathocles. And I too, as is said by Epicrates in his Antilais,

  1. Have learnt by heart completely all the songs
  2. Breathing of love which sweetest Sappho sang,
  3. Or the Lamynthian Cleomenes.
But you, my philosophical friends, even when you are in love with women . . . . . . . . . . . . . as Clearchus says. For a bull was excited by the sight of the brazen cow at Pirene: and in a picture that existed of a bitch, and a pigeon, and a goose; and a gander came up to the goose, and a dog to the bitch, and a male pigeon to the pigeon, and not one of them discovered the deception till they got close to them; but when they got near enough to touch them, they desisted; just as Clisophus the Salymbrian did. For he fell in love with a statue of Parian marble that then was at Samos, and shut himself up in the temple to gratify his affection; but when he found that he could make no impression on the coldness and unimpressibility of the stone, then he discarded his passion. And Alexis the poet mentions this circumstance in his drama entitled The Picture, where he says—
  1. And such another circumstance, they say,
  2. Took place in Samos: there a man did fall
  3. In love with a fair maiden wrought in marble,
  4. And shut himself up with her in the temple.
And Philemon mentions the same fact, and says—
  1. But once a man, 'tis said, did fall, at Samos,
  2. In love with a marble woman; and he went
  3. And shut himself up with her in the temple.
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But the statue spoken of is the work of Ctesicles; as Adæus of Mitylene tells us in his treatise on Statuaries. And Polemo, or whoever the author of the book called Helladicus is, says—"At Delphi, in the museum of the pictures, there are two boys wrought in marble; one of which, the Delphians say, was so fallen in love with by some one who came to see it, that he made love to it, and shut himself up with it, and presented it with a crown; but when he was detected, the god ordered the Delphians, who consulted his oracle with reference to the subject, to dismiss him freely, for that he had given him a handsome reward.

And even brute beasts have fallen in love with men: for there was a cock who took a fancy to a man of the name of Secundus, a cupbearer of the king; and the cock was nicknamed the Centaur. But this Secundus was a slave of Nicomedes the king of Bithynia; as Nicander informs us in the sixth book of his essay on the Revolutions of Fortune. And, at Egium, a goose took a fancy to a boy; as Clearchus relates in the first book of his Amatory Anecdotes. And Theophrastus, in his essay on Love, says that the name of this boy was Amphilochus, and that he was a native of Olenus. And Hermeas the son of Hermodorus, who was a Samian by birth, says that a goose also took a fancy to Lacydes the philosopher. And in Leucadia according to a story told by Clearchus), a peacock fell so in love with a maiden there, that when she died, the bird died top. There is a story also that, at Iasus, a dolphin took a fancy to a boy (and this story is told by Duris, in the ninth book of his History); and the subject of that book is the history of Alexander, and the historian's words are these: "He likewise sent for the boy from Iasus. For near Iasus there was a boy whose name was Dionysius, and he once, when leaving the palæstra with the rest of the boys, went down to the sea and bathed; and a dolphin came forward out of the deep water to meet him, and taking him on his back, swam sway with him a considerable distance into the open sea, and then brought him back again to land." But the dolphin is an animal which is very fond of men, and very intelligent, and one very susceptible of gratitude. Accordingly Phylarchus, in his twelfth book, says—

Coiranus the Milesian, when he saw some fishermen who had caught a dolphin in a net, and who
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were about to cut it up, gave them some money and bought the fish, and took it down and put it back in the sea again. And after this it happened to him to be shipwrecked near Myconos, and while every one else perished, Coiranus alone was saved by a dolphin. And when, at last, he died of old age in his native country, as it so happened that his funeral procession passed along the sea-shore close to Miletus, a great shoal of dolphins appeared on that day in the harbour, keeping only a very little distance from those who were attending the funeral of Coiranus, as if they also were joining in the procession and sharing in their grief.

The same Phylarchus also relates, in the twentieth book of his History, the great affection which was once displayed by an elephant for a boy. And his words are these:

But there was a female elephant kept with this elephant, and the name of the female elephant was Nicæa; and to her the wife of the king of India, when dying, entrusted her child, which was just a month old. And when the woman did die, the affection for the child displayed by the beast, was most extraordinary; for it could not endure the child to be away; and whenever it did not see him, it was out of spirits. And so, whenever the nurse fed the infant with milk, she placed it in its cradle between the feet of the beast; and if she had not done so, the elephant would not take any food; and after this, it would take whatever reeds and grass there were near, and, while the child was sleeping, beat away the flies with the bundle. And whenever the child wept, it would rock the cradle with its trunk, and lull it to sleep. And very often the male elephant did the same.

But you, O philosophers, are far fiercer than dolphins and elephants, and are also much more untameable; although Persæus the Cittiæan, in his Recollections of Banquets, says loudly,—“It is a very consistent subject of conversation at drinking-parties for men to talk of amatory matters; for we are naturally inclined to such topics after drinking. And at those times we should praise those who indulge in that kind of conversation to a moderate and temperate degree, but blame those who go to excess in it, and behave in a beastly manner. But if logicians, when assembled in a social party, were to talk about syllogisms, then a man might very fairly think that they were acting very unseasonably. And a

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respectable and virtuous man will at times get drunk; but they who wish to appear extraordinarily temperate, keep up this character amid their cups for a certain time, but afterwards, as the wine begins to take effect on them, they descend to every kind of impropriety and indecency. And this was the case very lately with the ambassadors who came to Antigonus from Arcadia; for they sat at dinner with great severity of countenance, and with great propriety, as they thought,- not only not looking at any one of us, but not even looking at one another. But as the wine went round, and music of different kinds was introduced, and when the Thessalian dancing-women, as their fashion is, came in, and danced quite naked, except that they had girdles round their waists, then the men could not restrain themselves any longer, but jumped up off the couches, and shouted as if they were beholding a most gratifying sight; and they congratulated the king because he had it in his power to indulge in such pastimes; and they did and said a great many more vulgar things of the same kind.

"And one of the philosophers who was once drinking with us, when a flute-playing girl came in, and when there was plenty of room near him, when the girl wished to sit down near him, would not allow her, but drew himself up and looked grave. And then afterwards, when the girl was put up to auction, as is often the fashion at such entertainments, he was exceedingly eager to buy her, and quarrelled with the man who sold her, on the ground that he had knocked her down too speedily to some one else; and he said that the auctioneer had not fairly sold her. And at last his grave philosopher, he who at first would not permit the girl even to sit near him, came to blows about her." And perhaps this very philosopher, who came to blows about the flute-playing girl, may have been Persæus himself; for Antinus the Carystian, in his treatise on Zeno, makes the following statement:—

Zeno the Cittiæan, when once Persæus and a drinking-party bought a flute-playing girl, and after that was afraid to bring her home, because he lived in the same house with Zeno, becoming acquainted with the circumstance, brought the girl home himself, and shut her up with Persæus.
I know, also, that Polystratus the Athenian, who was a pupil of Theophrastus, and who was surnamed the
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Tyrrhenian, used often to put on the garments of the female flute-players.

Kings, too, have shown great anxiety about musical women; as Parmenion tells us in his Letter to Alexander, which he sent to that monarch after he had taken Damascus, and after he had become master of all the baggage of Darius. Accordingly, having enumerated all the things which he had taken, he writes as follows:—

I found three hundred and twenty-nine concubines of the king, all skilled in music; and forty-six men who were skilful in making garlands, and two hundred and seventy-seven confectioners, and twenty-nine boilers of pots, and thirteen cooks skilful in pre- paring milk, and seventeen artists who mixed drinks, and seventy slaves who strain wine, and forty preparers of perfumes.
And I say to you, O my companions, that there is no sight which has a greater tendency to gladden the eyes than the beauty of a woman. Accordingly Œneus, in the play of Chæremon the tragedian, speaking of some maidens whom he had seen, says, in the play called Œneus,—
  1. And one did lie with garment well thrown back,
  2. Showing her snow-white bosom to the moon:
  3. Another, as she lightly danced, display'd
  4. The fair proportions of her lefthand side,
  5. Naked-a lovely picture for the air
  6. To wanton with; and her complexion white
  7. Strove with the darkening shades. Another bared
  8. Her lovely arms and taper fingers all:
  9. Another, with her robe high round her neck,
  10. Conceal'd her bosom, but a rent below
  11. Show'd all her shapely thighs. The Graces smiled,
  12. And love, not without hope, did lead me on.
  13. Then on th' inviting asphodel they fell,
  14. Plucking the dark leaves of the violet flower,
  15. And crocus, which, with purple petals rising,
  16. Copies the golden rays of the early sun.
  17. There, too, the Persian sweetly-smelling marjoram
  18. Stretch'd out its neck along the laughing meadow.

And the same poet, being passionately fond of flowers, says also in his Alphesibcea—

  1. The glorious beauty of her dazzling body
  2. Shone brilliant, a sweet sight to every eye;
  3. And modesty, a tender blush exciting,
  4. Tinted her gentle cheeks with delicate rose:
  5. Her waxy hair, in gracefully modell'd curls,
  6. Falling as though arranged by sculptor's hand,
  7. Waved in the wanton breeze luxuriant.
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And in his Io he calls the flowers children of spring, where he says—
  1. Strewing around sweet children of the spring.
And in his Centaur, which is a drama composed in many metres of various kinds, he calls them children of the meadow—
  1. There, too, they did invade the countless host
  2. Of all the new-born flowers that deck the fields,
  3. Hunting with joy the offspring of the meadows.
And in his Bacchus he says—
  1. The ivy, lover of the dance,
  2. Child of the mirthful year.
And in his Ulysses he speaks thus of roses:—
  1. And in their hair the Hours' choicest gifts
  2. They wore, the flowering, fragrant rose,
  3. The loveliest foster-child of spring.
And in his Thyestes he says—
  1. The brilliant rose, and modest snow-white lily.
And in his Minyæ he says—
  1. There was full many a store of Venus to view,
  2. Dark in the rich flowers in due season ripe.

Now there have been many women celebrated for their beauty (for, as Euripides says—

  1. E'en an old bard may sing of memory)
There was, for instance, Thargelia the Milesian, who was married to fourteen different husbands, so very beautiful and accomplished was she, as Hippias the Sophist says, in his book which is entitled Synagoge. But Dinon, in the fifth book of his History of Persia, and in the first part of it, says that the wife of Bagazus, who was a sister of Xerxes by the same father, (and her name was Anytis,) was the most beautiful and the most licentious of all the woman in Asia. And Phylarchus, in his nineteenth book, says that Timosa, the concubine of Oxyartes, surpassed all women in beauty, and that the king of Egypt had originally sent her as a present to Statira, the wife of the king.

And Theopompus, in the fifty-sixth book of his History, speaks of Xenopithea, the mother of Lysandrides, as the most beautiful of all the women in Peloponnesus. And the Lacedæmonians put her to death, and her sister Chryse also, when Agesilaus the king, having raised a seditious tumult in the city, procured Lysandrides, who was his enemy, to be banished by the Lacedæmonians. Pantica of Cyprus was

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also a very beautiful woman; and she is mentioned by Phylarchus, in the tenth book of his History, where he says that when she was with Olympias, the mother of Alexander, Monimus, the son of Pythion, asked her in marriage. And, as she was a very licentious woman, Olympias said to him—
O wretched man, you are marrying with your eyes, and not with your understanding.
They also say that the woman who brought back Pisistratus to assume the tyranny, clad in the semblance of Minerva the Saviour, was very beautiful, as indeed she ought to have been, seeing that she assumed the appearance of a goddess. And she was a seller of garlands; and Pisistratus afterwards gave her in marriage to Hipparchus his son, as Clidemus relates in the eighth book of his Returns, where he says—-
And he also gave the woman, by name Phya, who had been in the chariot with him, in marriage to his son Hipparchus. And she was the daughter of a man named Socrates. And he took for Hippias, who succeeded him in the tyranny, the daughter of Charmus the polemarch, who was extraordinarily beautiful.

And it happened, as it is said, that Charmus was a great admirer of Hippias, and that he was the man who first erected a statue of Love in the Academy, on which there is the following inscription—

  1. O wily Love, Charmus this altar raised
  2. At the well-shaded bounds of her Gymnasium.
Hesiod, also, in the third book of his Melampodia, calls Chalcis in Eubœa,
  1. Land of fair women;—
for the women there are very beautiful, as Theophrastus also asserts. And Nymphodorus, in his Voyage round Asia, says that there are nowhere more beautiful women than those in Tenedos, an island close to Troy.

I am aware, too, that on one occasion there was a contest of beauty instituted among women. And Nicias, speaking of it in his History of Arcadia, says that Cypselus instituted it, having built a city in the plain which is watered by the Alpheus; in which he established some Parrhasians, and consecrated a plot of sacred ground and an altar to Ceres of Eleusis, in whose festival it was that he had instituted this contest of beauty. And he says that the woman who gained the victory in this contest was Herodice. And

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even to this day this contest is continued; and the women who contend in it are called Goldbearing. And Theophrastus says that there is also a contest of beauty which takes place among the Eleans, and that the decision is come to with great care and deliberation; and that those who gain the victory receive arms as their prize, which Dionysius of Leuctra says are offered up to Minerva. And he says, too, that the victor is adorned with fillets by his friends, and goes in procession to the temple; and that a crown of myrtle is given to him (at least this is the statement of Myrsilus, in his Historical Paradoxes).
But in some places,
says the same Theophrastus,
there are contests between the women in respect of modesty and good management, as there are among the barbarians; and at other places also there are contests about beauty, on the ground that this also is entitled to honour, as for instance, there are in Tenedos and Lesbos. But they say that this is the gift of chance, or of nature; but that the honour paid to modesty ought to be one of a greater degree. For that it is in consequence of modesty that beauty is beautiful; for without modesty it is apt to be subdued by intemperance.

Now, when Myrtilus had said all this in a connected statement; and when all were marvelling at his memory, Cynulcus said—

  1. Your multifarious learning I do wonder at—
  2. Though there is not a thing more vain and useless,
says Hippon the Atheist. But the divine Heraclitus also says—
A great variety of information does not usually give wisdom.
And Timon said—
  1. There is great ostentation and parade
  2. Of multifarious learning, than which nothing
  3. Can be more vain or useless.
For what is the use of so many names, my good grammarian, which are more calculated to overwhelm the hearers than to do them any good? And if any one were to inquire of you, who they were who were shut up in the wooden horse, you would perhaps be able to tell the names of one or two; and even this you would not do out of the verses of Stesichorus, (for that could hardly be,) but out of the Storming of Troy, by Sacadas the Argive; for he has given a catalogue of a great number of names. Nor indeed could you properly
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give a list of the companions of Ulysses, and say who they were who were devoured by the Cyclops, or by the Læstrygonians, and whether they were really devoured or not. And you do not even know this, in spite of your frequent mention of Phylarchus, that in the cities of the Ceans it is not possible to see either courtesans or female flute-players. And Myrtilus said,—But where has Phylarchus stated this For I have read through all his history. And when he said,—In the twenty-third book; Myrtilus said—

Do I not then deservedly detest all you philosophers, since you are all haters of philology,—men whom not only did Lysimachus the king banish from his own dominions, as Carystius tells us in his Historic Reminiscenses, but the Athenians did so too. At all events, Alexis, in his Horse, says—

  1. Is this the Academy; is this Xenocrates?
  2. May the gods greatly bless Demetrius
  3. And all the lawgivers; for, as men say,
  4. They've driven out of Attica with disgrace
  5. All those who do profess to teach the youth
  6. Learning and science.
And a certain man named Sophocles, passed a decree to banish all the philosophers from Attica. And Philo, the friend of Aristotle, wrote an oration against him; and Demochares, on the other hand, who was the cousin of Demosthenes, composed a defence for Sophocles. And the Romans, who are in every respect the best of men, banished all the sophists from Rome, on the ground of their corrupting the youth of the city, though, at a subsequent time, somehow or other, they admitted them. And Anaxippus the comic poet declares your folly in his Man struck by Lightning, speaking thus—
  1. Alas, you're a philosopher; but I
  2. Do think philosophers are only wise
  3. In quibbling about words; in deeds they are,
  4. As far as I can see, completely foolish.

It is, therefore, with good reason that many cities, and especially the city of the Lacedæmonians, as Chamæleon says in his book on Simonides, will not admit either rhetoric or philosophy, on account of the jealousy, and strife, and profitless discussions to which they give rise; owing to which it was that, Socrates was put to death; he, who argued

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against the judges who were given him by lot, discoursing of justice to them when they were a pack of most corrupt men. And it is owing to this, too, that Theodorus the Atheist was put to death, and that Diagoras was banished; and this latter, sailing away when he was banished, was wrecked. But Theotimus, who wrote the books against Epicurus, was accused by Zeno the Epicurean, and put to death; as is related by Demetrius the Magnesian, in his treatise in People and Things which go by the same Name.

And, in short, according to Clearchus the Solensian, you do not adopt a manly system of life, but you do really aim at a system which might become a dog; but although this animal has four excellent qualities, you select none but the worst of his qualities for your imitation. For a dog is a wonderful animal as to his power of smelling and of distinguishing what belongs to his own family and what does not; and the way in which he associates with man and the manner in which he watches over and protects the houses of all those who are kind to him, is extraordinary. But you who imitate the dogs, do neither of these things. For you do not associate with men, nor do you distinguish, between those with whom you are acquainted; and being very deficient in sensibility, you live in an indolent and indifferent manner. But while the dog is also a snarling and greedy animal, and also hard in his way of living, and naked; these habits of his you practise, being abusive and gluttonous, and, besides all this, living without a home or a hearth. The result of all which circumstances is, that you are destitute of virtue, and quite unserviceable for any useful purpose in life. For there is nothing less philosophical than those persons who are called philosophers. For whoever supposed that Aeschines, the pupil of Socrates, would have been such a man in his manners as Lysias the orator, in his speeches on the Contracts, represents him to have been; when, out of the dialogues which are extant, and generally represented to be his work, we are inclined to admire him as an equitable and moderate man? unless, indeed, those writings are in reality the work of the wise Socrates, and were given to Aeschines by Xanthippe, the wife of Socrates, after his death, which Idomeneus asserts to be the case.

But Lysias, in the oration which bears this title—

v.3.p.976
Against Aeschines, the Pupil of Socrates, for Debt,
(for I will recite the passage, even though it be a rather long one, on account of your excessive arrogance, O philosophers,)— begins in the following manner—
I never should have imagined, O judges, that Aeschines would have dared to come into court on a trial which is so discreditable to him. For a more disgracefully false accusation than the one which he has brought forward, I do not believe it to be easy to find. For he, O judges, owing a sum of money with a covenanted interest of three drachmæ to Sosinomus the banker and Aristogiton, came to me, and besought me not to allow him to be wholly stripped of his own property, in consequence of this high interest. ' And I,' said he, am at this moment carrying on the trade of a perfumer; but I want capital to go on with, and I will pay you nine[*](This would have been 18 per cent. Three drachmæ were about 36 per cent. The former appears to have been the usual rate of interest at Athens in the time of Lysias; for we find in Demosthenes that interest ἐπὶ δραχμῇ, that is to say, a drachma a month interest for each mina lent, was considered low. It was exceedingly common, however, among the money-lenders, to exact an exorbitant rate of interest, going even as high as a drachma every four days.—See Smith's Dict. Ant. v. Interest, p. 524.) obols a month interest.
A fine end to the happiness of this philosopher was the trade of a perfumer, and admirably harmonizing with the philosophy of Socrates, a man who utterly rejected the use of all perfumes and unguents! And moreover, Solon the lawgiver expressly forbade a man to devote himself to any such business: on which account Pherecrates, in his Oven, or Woman sitting up all Night, says—
  1. Why should he practise a perfumer's trade,
  2. Sitting beneath a high umbrella there,
  3. Preparing for himself a seat on which
  4. To gossip with the youths the whole day long?
And presently afterwards he says—
  1. And no one ever saw a female cook
  2. Or any fishwoman; for every class
  3. Should practise arts which are best suited to it.
And after what I have already quoted, the orator proceeds to say—
And I was persuaded by this speech of his, considering also that this Aeschines had been the pupil of Socrates, and was a man who uttered fine sentiments about
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virtue and justice, and who would never attempt nor venture on the actions practised by dishonest and unjust men.

And after this again, after he had run through the accusation of Aeschines, and had explained how he had bor- rowed the money, and how he never paid either interest or principal, and how, when an action was brought against him, he had allowed judgment to go by default, and how a branded slave of his had been put forward by him as security; and after he had brought a good many more charges of the same kind against him, he thus proceeded:—“But, O judges, I am not the only person to whom he behaves in this manner, but he treats every one who has any dealings with him in the same manner. Are not even all the wine-sellers who live near him, from whom he gets wine for his entertainments and never pays for it, bringing actions against him, having already closed their shops against him? And his neighbours are ill- treated by him to such a degree that they leave their own houses, and go and rent others which are at a distance from him. And with respect to all the contributions which he collects, he never himself puts down the remaining share which is due from him, but all the money which ever gets into this pedlar's hands is lost as if it were utterly destroyed. And such a number of men come to his house daily at dawn, to ask for their money which he owes them, that passers-by suppose he must be dead, and that such a crowd can only be collected to attend his funeral.

And those men who live in the Piræus have such an opi- nion of him, that they think it a far less perilous business to sail to the Adriatic than to deal with him; for he thinks that all that he can borrow is much more actually his own thin what his father left him. Has he not got possession of the property of Hermæus the perfumer, after having seduced his wife, though she was seventy years old? whom he pretended to be in love with, and then treated in such a manner that she reduced her husband and her sons to beggary, and made him a per- fumer instead of a pedlar! in so amorous a manner did he handle the damsel, enjoying the fruit of her youth, when it would have been less trouble to him to count her teeth than the fingers of her hand, they were so much fewer And now come forward, you witnesses, who will prove these facts. —This, then, is the life of this sophist.

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These, O Cynulcus, are the words of Lysias. But I, in the words of Aristarchus the tragic poet,

  1. Saying no more, but this in self-defence,
will now cease my attack upon you and the rest of the Cynics.

JestersConcertsSongsRhapsodistsMagodiHarp-playersMusicDancingDancesMusicMusical InstrumentsMusicLove SongsSweetmeatsDifferent Courses at DinnerDessertCheesecakesCakesVegetablesPomegranatesFigsGrapesPeacocksPartridgesThe HelotsCheeseCooksThe Thessaliansματτύη

MOST people, my friend Timocrates, call Bacchus frantic, because those who drink too much unmixed wine become violent

  1. To copious wine this insolence we owe,
  2. And much thy betters wine can overthrow
  3. The great Eurytion, when this frenzy stung,
  4. Pirithous' roofs with frantic riot rung:
  5. Boundless the Centaur raged, till one and all
  6. The heroes rose and dragg'd him from the hall;
  7. His nose they shorten'd, and his ears they slit,
  8. And sent him sober'd home with better wit.
Odyss. xxi. 293.
For when the wine has penetrated down into the body, as Herodotus says, bad and furious language is apt to rise to the surface. And Clearchus the comic poet says in his Corinthians—
  1. If all the men who to get drunk are apt,
  2. Had every day a headache ere they drank
  3. The wine, there is not one would drink a drop:
  4. But as we now get all the pleasure first,
  5. And then the drink, we lose the whole delight
  6. In the sharp pain which follows.

And Xenophon represents Agesilaus as insisting that a man ought to shun drunkenness equally with madness, and immoderate gluttony as much as idleness. But we, as we are not of the class who drink to excess, nor of the number of those who are in the habit of being intoxicated by midday, have come rather to this literary entertainment; for Ulpian, who is always finding fault, reproved some one just now who said, I am not drunk (ἔξοινος), saying,—Where do you find that word ἔξοινος? But he rejoined,—Why, in Alexis, who, in his play called the New Settler, says—

  1. He did all this when drunk (ἔξοινος).

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But as, after the discussion by us of the new topics which arise, our liberal entertainer Laurentius is every day constantly introducing different kinds of music, and also jesters and buffoons, let us have a little talk about them. Although I am aware that Anacharsis the Scythian, when on one occasion jesters were introduced in his company, remained without moving a muscle of his countenance; but afterwards, when a monkey was brought in, he burst out laughing, and said,

Now this fellow is laughable by his nature, but man is only so through practice.
And Euripides, in his Melanippe in Chains, has said—
  1. But many men, from the wish to raise a laugh,
  2. Practise sharp sayings; but those sorry jesters
  3. I hate who let loose their unbridled tongues
  4. Against the wise and good; nor do I class them
  5. As men at all, but only as jokes and playthings.
  6. Meantime they live at ease, and gather up
  7. Good store of wealth to keep within their houses.

And Parmeniscus of Metapontum, as Semus tells us in the fifth book of his Delias, a man of the highest consideration both as to family and in respect of his riches, having gone down to the cave of Trophonius, after he had come up again, was not able to laugh at all. And when he consulted the oracle on this subject, the Pythian priestess replied to him—

  1. You're asking me, you laughless man,
  2. About the power to laugh again;
  3. Your mother 'll give it you at home,
  4. If you with reverence to her come.
So, on this, he hoped that when he returned to his country he should be able to laugh again; but when he found that he could laugh no more now than he could before, he considered that he had been deceived; till, by some chance, he came to Delos; and as he was admiring everything he saw in the island, he came into the temple of Latona, expecting to see some very superb statue of the mother of Apollo; but when he saw only a wooden shapeless figure, he unexpectedly burst out laughing. And then, comparing what had happened with the oracle of the god, and being cured of his infirmity, he honoured the goddess greatly.

Now Anaxandrides, in his Old Man's Madness, says that it was Rhadamanthus and Palamedes who invented the fashion of jesters; and his words are these:—

v.3.p.980
  1. And yet we labour much.
  2. But Palamedes first, and Rhadamanthus,
  3. Sought those who bring no other contribution,
  4. But say amusing things.

Xenophon also, in his Banquet, mentions jesters; introducing Philip, of whom he speaks in the following manner: —

But Philip the jester, having knocked at the door, told the boy who answered, to tell the guests who he was, and that he was desirous to be admitted; and he said that he came provided with everything which could qualify him for supping at other people's expense. And he said, too, that his boy was in a good deal of distress because he had brought nothing, and because he had had no dinner.
And Hippolochus the Macedonian, in his epistle to Lynceus, mentions the jesters Mandrogenes and Strato the Athenian. And at Athens there was a great deal of this kind of cleverness. Accordingly, in the Heracleum at Diomea[*](Diomea was a small village in Attica, where there was a celebrated temple of Hercules, and where a festival was kept in his honour: Aristophanes says— ῞ὅποθʼ ʽηράκλεια τὰ ʼν διομείοις γίγνεται.—Ranæ, 651. ) they assembled to the number of sixty, and they were always spoken of in the city as amounting to that number, in such expressions as—
The sixty said this,
and,
I am come from the sixty.
And among them were Callimedon, nicknamed the Crab, and Dinias, and also Mnasigeiton and Menæchmus, as Telephanes tells us in his treatise on the City. And their reputation for amusing qualities was so great, that Philip the Macedonian heard of it, and sent them a talent to engage them to write out their witticisms and send them to him. And the fact of this king having been a man who was very fond of jokes is testified to us by Demosthenes the orator in his Philippics.

Demetrius Poliorcetes was a man very eager for anything which could make him laugh, as Phylarchus tells us in the sixth book of his History. And he it was who said,

that the palace of Lysimachus was in no respect different from a comic theatre; for that there was no one there bigger than a dissyllable
[*](Because slaves (and the actors were usually slaves) had only names of one, or at most two syllables, such as Davus, Geta, Dromo, Mus.) (meaning to laugh at Bithys and Paris, who had more influence than anybody with Lysimachus, and at some others of his friends;)
but that his friends were
v.3.p.981
Peucesteses, and Menelauses, and Oxythemises.
But when Lysimachus heard this, he said,—
I, however, never saw a prostitute on the stage in a tragedy;
referring to Lamia the female flute-player. And when this was reported to Demetrius, he rejoined,—
But the prostitute who is with me, lives in a more modest manner than the Penelope who is with him.