Description of Greece

The descender lies with his back on the ground, holding barley-cakes kneaded with honey, thrusts his feet into the hole and himself follows, trying hard to get his knees into the hole. After his knees the rest of his body is at once swiftly drawn in, just as the largest and most rapid river will catch a man in its eddy and carry him under. After this those who have entered the shrine learn the future, not in one and the same way in all cases, but by sight sometimes and at other times by hearing. The return upwards is by the same mouth, the feet darting out first.

They say that no one who has made the descent has been killed, save only one of the bodyguard of Demetrius. But they declare that he performed none of the usual rites in the sanctuary, and that he descended, not to consult the god but in the hope of stealing gold and silver from the shrine. It is said that the body of this man appeared in a different place, and was not cast out at the sacred mouth. Other tales are told about the fellow, but I have given the one most worthy of consideration.

After his ascent from Trophonius the inquirer is again taken in hand by the priests, who set him upon a chair called the chair of Memory, which stands not far from the shrine, and they ask of him, when seated there, all he has seen or learned. After gaining this information they then entrust him to his relatives. These lift him, paralyzed with terror and unconscious both of himself and of his surroundings, and carry him to the building where he lodged before with Good Fortune and the Good Spirit. Afterwards, however, he will recover all his faculties, and the power to laugh will return to him.

What I write is not hearsay; I have myself inquired of Trophonius and seen other inquirers. Those who have descended into the shrine of Trophonius are obliged to dedicate a tablet on which is written all that each has heard or seen. The shield also of Aristomenes is still preserved here. Its story I have already given in a former part of my work.[*](See Paus. 4.16.7 to Paus. 4.32.6.)

This oracle was once unknown to the Boeotians, but they learned of it in the following way. As there had been no rain for a year and more, they sent to Delphi envoys from each city. These asked for a cure for the drought, and were bidden by the Pythian priestess to go to Trophonius at Lebadeia and to discover the remedy from him.

Coming to Lebadeia they could not find the oracle. Thereupon Saon, one of the envoys from the city Acraephnium and the oldest of all the envoys, saw a swarm of bees. It occurred to him to follow himself wheresoever the bees turned. At once he saw the bees flying into the ground here, and he went with them into the oracle. It is said that Trophonius taught this Saon the customary ritual, and all the observances kept at the oracle.

Of the works of Daedalus there are these two in Boeotia, a Heracles in Thebes and the Trophonius at Lebadeia. There are also two wooden images in Crete, a Britomartis at Olus and an Athena at Cnossus, at which latter place is also Ariadne's Dance, mentioned by Homer in the Iliad,[*](See Hom. Il. 18.590 foll.) carved in relief on white marble. At Delos, too, there is a small wooden image of Aphrodite, its right hand defaced by time, and with a square base instead of feet.

I am of opinion that Ariadne got this image from Daedalus, and when she followed Theseus, took it with her from home. Bereft of Ariadne, say the Delians, Theseus dedicated the wooden image of the goddess to the Delian Apollo, lest by taking it home he should be dragged into remembering Ariadne, and so find the grief for his love ever renewed. I know of no other works of Daedalus still in existence. For the images dedicated by the Argives in the Heraeum and those brought from Omphace to Gela in Sicily have disappeared in course of time.

Next to Lebadeia comes Chaeroneia. Its name of old was Arne, said to have been a daughter of Aeolus, who gave her name also to a city in Thessaly. The present name of Chaeroneia, they say, is derived from Chaeron, reputed to be a son of Apollo by Thero, a daughter of Phylas. This is confirmed also by the writer of the epic poem, the Great Eoeae:—

1. Phylas wedded a daughter of famous Iolais,
2. Leipephilene, like in form to the Olympian goddesses;
3. She bore him in the halls a son Hippotes,
4. And lovely Thero, like to the moonbeams.
5. Thero, falling into the embrace of Apollo,
6. Bore mighty Chaeron, tamer of horses.