Description of Greece

Pausanias

Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.

There is also a temple of Artemis, with an image of the modern style of workmanship. The priestess is a maiden, who holds office until she reaches the age to marry. There stands here too an ancient image, which the folk of Aegeira say is Iphigeneia, the daughter of Agamemnon. If they are correct, it is plain that the temple must have been built originally for Iphigeneia.

There is also a sanctuary of Apollo; the sanctuary itself, with the sculptures on the pediments, are very old; the wooden image of the god also is old, the figure being nude and of colossal size. None of the inhabitants could give the name of the artist, but anyone who has already seen the Heracles at Sicyon would be led to conjecture that the Apollo in Aegeira was also a work of the same artist, Laphaes the Phliasian.

There are in a temple standing images of Asclepius, and elsewhere images of Serapis and of Isis, these too being of Pentelic marble. They worship most devoutly the Heavenly Goddess, but human beings must not enter her sanctuary. But into the sanctuary of the goddess they surname Syrian they enter on stated days, but they must submit beforehand to certain customary purifications, especially in the matter of diet.

I remember observing at Aegeira a building in which was an image of Fortune carrying the horn of Amaltheia. By her side is a winged Love, the moral of which is that even success in love depends for mankind on fortune rather than on beauty. Now I am in general agreement with Pindar's ode, and especially with his making Fortune one of the Fates, and more powerful than her sisters.[*](Pind. Frag. 41 (Schroeder).)

In this building at Aegeira is also an old man in the attitude of a mourner, three women taking off their bracelets, and likewise three lads, with a man wearing a breastplate. They say that in a war of the Achaeans this last man fought more bravely than any other soldier of Aegeira, but was killed. His surviving brothers carried home the news of his death, and therefore in mourning for him his sisters are discarding their ornaments, and the natives call the father Sympathes, because even in the statue he is a piteous figure.

There is a straight road from the sanctuary of Zeus at Aegeira, passing through the mountains and steep. It is forty stades long, and leads to Phelloe, an obscure town, which was not always inhabited even when the Ionians still occupied the land.[*](This rendering would be much more natural with οὐδὲ instead of καὶ before Ἰώνων. It is therefore likely that Spiro's suggestion should be adopted. This would give: “an obscure town, but one which has always been inhabited, even when the Ionians dwelt in the land.”) The district round Phelloe is well suited for the growth of the vine; the rocky parts are covered with oaks, the home of deer and wild boars.

You may reckon Phelloe one of the towns in Greece best supplied with flowing water. There are sanctuaries of Dionysus and of Artemis. The goddess is of bronze, and is taking an arrow from her quiver. The image of Dionysus is painted with vermilion. On going down from Aegeira to the port, and walking on again, we see on the right of the road the sanctuary of the Huntress, where they say the goat crouched.

The territory of Aegeira is bounded by that of Pellene, which is the last city of Achaia in the direction of Sicyon and the Argolid. The city got its name, according to the account of the Pellenians, from Pallas, who was, they say, one of the Titans, but the Argives think it was from Pellen, an Argive. And they say that he was the son of Phorbas, the son of Triopas.

Between Aegeira and Pellene once stood a town, subject to the Sicyonians and called Donussa, which was laid waste by the Sicyonians;it is mentioned, they say, in a verse of Homer that occurs in the list of those who accompanied Agamemnon:—

  1. And the men of Hyperesia and those of steep Donoessa.
Hom. Il. 2.573They go on to say that when Peisistratus collected the poems of Homer, which were scattered and handed down by tradition, some in one place and some in another, then either he or one of his colleagues perverted the name through ignorance.

The port of Pellene is Aristonautae. Its distance from Aegeira on the sea is one hundred and twenty stades, and to Pellene from this port is half that distance. They say that the name of Aristonautae[*](The Greek word means “best sailors.”) was given to that port because it was one of the habors into which the Argonauts entered.

The city of Pellene is on a hill which rises to a sharp peak at its summit. This part then is precipitous, and therefore uninhabited, but on the lower slopes they have built their city, which is not continuous, but divided into two parts by the peak that rises up between. As you go to Pellene there is, by the roadside, an image of Hermes, who, in spite of his surname of Crafty, is ready to fulfill the prayers of men. He is of square shape and bearded, and on his head is carved a cap.

On the way to the city, close up to it, is a temple of Athena, built of local stone, but the image is of ivory and gold. They say that Pheidias made it before he made the images of Athena on the Athenian acropolis and at Plataea. The people of Pellene also say that a shrine of Athena sinks deep into the ground, that this shrine is under the pedestal of the image, and that the air from the shrine is damp, and consequently good for the ivory.

Above the temple of Athena is a grove, surrounded by a wall, of Artemis surnamed Saviour, by whom they swear their most solemn oaths. No man may enter the grove except the priests. These priests are natives, chosen chiefly because of their high birth. Opposite the grove of the Saviour is a sanctuary of Dionysus surnamed Torch. In his honor they celebrate a festival called the Feast of Torches, when they bring by night firebrands into the sanctuary, and set up bowls of wine throughout the whole city.

There is also at Pellene a sanctuary of Apollo, the Strangers' God, and the image is made of bronze. They hold in honor of Apollo games that they call Theoxenia, with money as the prizes of victory, the competitors being the natives. Near the sanctuary of Apollo is a temple of Artemis, the goddess being represented in the attitude of shooting. In the market-place is built a tank, and for bathing they use rain-water, since for drinking there are a few springs beneath the city. The place where the springs are they name Glyceiae ( Sweet Springs).