Description of Greece

At some distance from Argyra is a river named Bolinaeus, and by it once stood a city Bolina. Apollo, says a legend, fell in love with a maiden called Bolina, who fleeing to the sea here threw herself into it, and by the favour of Apollo became an immortal. Next to it a cape juts out into the sea, and of it is told a story how Cronus threw into the sea here the sickle with which he mutilated his father Uranus. For this reason they call the cape Drepanum.[*](Drepanum means “sickle.”) Beyond the high road are the ruins of Rhypes. Aegium is about thirty stades distant from Rhypes.

The territory of Aegium is crossed by a river Phoenix, and by another called Meiganitas, both of which flow into the sea. A portico near the city was made for Straton, an athlete who won at Olympia on the same day victories in the pancratium and in wrestling. The portico was built that this man might exercise himself in it. At Aegium is an ancient sanctuary of Eileithyia, and her image is covered from head to foot with finely-woven drapery; it is of wood except the face, hands and feet,

which are made of Pentelic marble. One hand is stretched out straight; the other holds up a torch. One might conjecture that torches are an attribute of Eileithyia because the pangs of women are just like fire. The torches might also be explained by the fact that it is Eileithyia who brings children to the light. The image is a work of Damophon the Messenian.

Not far from Eileithyia is a precinct of Asclepius, with images of him and of Health. An iambic line on the pedestal says that the artist was Damophon the Messenian. In this sanctuary of Asclepius a man of Sidon entered upon an argument with me. He declared that the Phoenicians had better notions about the gods than the Greeks, giving as an instance that to Asclepius they assign Apollo as father, but no mortal woman as his mother.

Asclepius, he went on, is air, bringing health to mankind and to all animals likewise; Apollo is the sun, and most rightly is he named the father of Asclepius, because the sun, by adapting his course to the seasons, imparts to the air its healthfulness. I replied that I accepted his statements, but that the argument was as much Greek as Phoenician for at Titane in Sicyonia the same image is called both Health and . . .[*](The MSS. reading παιδὶ ἦν is meaningless. Scholars for the most part consider that a name has fallen out of the text. Madvig's emendation would mean “Daughter of the Sun,” and Kayser's would mean “Asclepius.”) thus clearly showing that it is the course of the sun that brings health to mankind.

At Aegium you find a temple of Athena and a grove of Hera. Of Athena there are two images of white marble; the image of Hera may be seen by nobody except the woman who happens to hold the office of priestess to the goddess. Near the theater they have a sanctuary of Dionysus with an image of the god as a beardless youth. There is also in the market-place a precinct of Zeus surnamed Saviour, with two images, both of bronze, on the left as you go in; the one without a beard seemed to me the more ancient.

In a building right in front of the entrance are images, of bronze like the others, representing Poseidon, Heracles, Zeus and Athena. They are called gods from Argos. The Argives say it is because they were made in Argos; the people of Aegium themselves say that the images were deposited by the Argives with them on trust.

They say further that they were ordered to sacrifice each day to the images. But bethinking themselves of a trick they sacrificed a vast number of animals, but the victims they ate up at public feasts, so that they were not put to any expense. At last the Argives asked for the images to be returned, whereupon the people of Aegium asked for the cost of the sacrifices. As the Argives had not the means to pay, they left the images at Aegium.

By the market-place at Aegium is a temple shared by Apollo and Artemis in common; and in the market-place there is a sanctuary of Artemis, who is represented in the act of shooting an arrow, and also the grave of Talthybius the herald. There is also at Sparta a barrow serving as a tomb to Talthybius, and both cities sacrifice to him as to a hero.

By the sea at Aegium is a sanctuary of Aphrodite, and after it one of Poseidon; there is also one of the Maiden, daughter of Demeter, and one to Zeus Homagyrius ( Assembler). Here are images of Zeus, of Aphrodite and of Athena. The surname Assembler was given to Zeus because in this place Agamemnon assembled the most eminent men in Greece, in order that they might consult together how to make war on the empire of Priam. Among the claims of Agamemnon to renown is that he destroyed Troy and the cities around her[*](Or “vassal cities,” like the περίοικοι round Sparta. So Frazer.) with the forces that followed him originally, without any later reinforcements.

Adjoining Zeus the Assembler is a sanctuary of Demeter Panachaean. The beach, on which the people of Aegium have the sanctuaries I have mentioned, affords a plentiful supply of water from a spring; it is pleasing both to the eye and to the taste. They have also a sanctuary of Safety. Her image may be seen by none but the priests, and the following ritual is performed. They take cakes of the district from the goddess and throw them into the sea, saying that they send them to Arethusa at Syracuse.

There are at Aegium other images made of bronze, Zeus as a boy and Heracles as a beardless youth, the work of Ageladas of Argos. Priests are elected for them every year, and each of the two images remains at the house of the priest. In a more remote age there was chosen to be priest for Zeus from the boys he who won the prize for beauty. When his beard began to grow the honor for beauty passed to another boy. Such were the customs. Even in my time the Achaean assembly still meets at Aegium, just as the Amphictyons do at Thermopylae and at Delphi.

Going on further you come to the river Selinus, and forty stades away from Aegium is a place on the sea called Helice. Here used to be situated a city Helice, where the Ionians had a very holy sanctuary of Heliconian Poseidon. Their worship of Heliconian Poseidon has remained, even after their expulsion by the Achaeans to Athens, and subsequently from Athens to the coasts of Asia. At Miletus too on the way to the spring Biblis there is before the city an altar of Heliconian Poseidon, and in Teos likewise the Heliconian has a precinct and an altar, well worth seeing.

There are also passages in Homer[*](See Hom. Il. 2.575, Hom. 8.203, Hom. 20.404.) referring to Helice and the Heliconian Poseidon. But later on the Achaeans of the place removed some suppliants from the sanctuary and killed them. But the wrath of Poseidon visited them without delay; an earthquake promptly struck their land and swallowed up, without leaving a trace for posterity to see, both the buildings and the very site on which the city stood.