Description of Greece

Pausanias

Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.

Behind the portico built from the spoils of Corcyra is a temple of Aphrodite, the precinct being in the open, not far from the temple. The goddess in the temple they call Heavenly; she is of ivory and gold, the work of Pheidias, and she stands with one foot upon a tortoise. The precinct of the other Aphrodite is surrounded by a wall, and within the precinct has been made a basement, upon which sits a bronze image of Aphrodite upon a bronze he-goat. It is a work of Scopas, and the Aphrodite is named Common. The meaning of the tortoise and of the he-goat I leave to those who care to guess.

The sacred enclosure of Hades and its temple (for the Eleans have these among their possessions) are opened once every year, but not even on this occasion is anybody permitted to enter except the priest. The following is the reason why the Eleans worship Hades; they are the only men we know of so to do. It is said that, when Heracles was leading an expedition against Pylus in Elis, Athena was one of his allies. Now among those who came to fight on the side of the Pylians was Hades, who was the foe of Heracles but was worshipped at Pylus.

Homer is quoted in support of the story, who says in the Iliad:

  1. And among them huge Hades suffered a wound from a swift arrow,
  2. When the same man, the son of aegis-bearing Zeus,
  3. Hit him in Pylus among the dead, and gave him over to pains.
Hom. Il. 5.395-397If in the expedition of Agamemnon and Menelaus against Troy Poseidon was according to Homer an ally of the Greeks, it cannot be unnatural for the same poet to hold that Hades helped the Pylians. At any rate it was in the belief that the god was their friend but the enemy of Heracles that the Eleans made the sanctuary for him. The reason why they are wont to open it only once each year is, I suppose, because men too go down only once to Hades.

The Eleans have also a sanctuary of Fortune. In a portico of the sanctuary has been dedicated a colossal image, made of gilded wood except the face, hands and feet, which are of white marble. Here Sosipolis too is worshipped in a small shrine on the left of the sanctuary of Fortune. The god is painted according to his appearance in a dream: in age a boy, wrapped in a star-spangled robe, and in one hand holding the horn of Amaltheia.

In the most thickly-populated part of Elis is a statue of bronze no taller than a tall man; it represents a beardless youth with his legs crossed, leaning with both hands upon a spear. They cast about it a garment of wool, one of flax and one of fine linen.

This image was said to be of Poseidon, and to have been worshipped in ancient times at Samicum in Triphylia. Transferred to Elis it received still greater honor, but the Eleans call it Satrap and not Poseidon, having learned the name Satrap, which is a surname of Corybas, after the enlargement of Patrae.

Between the market-place and the Menius is an old theater and a shrine of Dionysus. The image is the work of Praxiteles. Of the gods the Eleans worship Dionysus with the greatest reverence, and they assert that the god attends their festival, the Thyia. The place where they hold the festival they name the Thyia is about eight stades from the city. Three pots are brought into the building by the priests and set down empty in the presence of the citizens and of any strangers who may chance to be in the country. The doors of the building are sealed by the priests themselves and by any others who may be so inclined.

On the morrow they are allowed to examine the seals, and on going into the building they find the pots filled with wine. I did not myself arrive at the time of the festival, but the most respected Elean citizens, and with them strangers also, swore that what I have said is the truth. The Andrians too assert that every other year at their feast of Dionysus wine flows of its own accord from the sanctuary. If the Greeks are to be believed in these matters, one might with equal reason accept what the Ethiopians above Syene say about the table of the sun.[*](See Paus. 1.33.4)

On the Acropolis of the Eleans is a sanctuary of Athena. The image is of ivory and gold. They say that the goddess is the work of Pheidias. On her helmet is an image of a cock, this bird being very ready to fight. The bird might also be considered as sacred to Athena the worker.

Cyllene is one hundred and twenty stades distant from Elis; it faces Sicily and affords ships a suitable anchorage. It is the port of Elis, and received its name from a man of Arcadia. Homer does not mention Cyllene in the list of the Eleans, but in a later part of the poem he has shown that Cyllene was one of the towns he knew.