Description of Greece

Pausanias

Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.

The Hermes carrying the ram under his arm, with a helmet on his head, and clad in tunic and cloak, is not one of the offerings of Phormis, but has been given to the god by the Arcadians of Pheneus. The inscription says that the artist was Onatas of Aegina helped by Calliteles, who I think was a pupil or son of Onatas. Not far from the offering of the Pheneatians is another image, Hermes with a herald's wand. An inscription on it says that Glaucias, a Rhegian by descent, dedicated it, and Gallon of Elis made it.

Of the bronze oxen one was dedicated by the Corcyraeans and the other by the Eretrians. Philesius of Eretria was the artist. Why the Corcyraeans dedicated the ox at Olympia and another at Delphi will be explained in my account of Phocis.[*](Paus. 10.9.3) bout the offering at Olympia I heard the following story.

Sitting under this ox a little boy was playing with his head bent towards the ground. Suddenly lifting his head he broke it against the bronze, and died a few days later from the wound. So the Eleans were purposing to remove the ox from out the Altis as being guilty of bloodshed. But the god at Delphi gave an oracle that they were to let the offering stay where it was, after performing upon it the purificatory rites that are customary among the Greeks for unintentional shedding of blood.

Under the plane trees in the Altis, just about in the center of the enclosure, there is a bronze trophy, with an inscription upon the shield of the trophy, to the effect that the Eleans raised it as a sign that they had beaten the Lacedaemonians. It was in this battle that the warrior lost his life who was found lying in his armour when the roof of the Heraeum was being repaired in my time.

The offering of the Mendeans in Thrace came very near to beguiling me into the belief that it was a representation of a competitor in the pentathlum. It stands by the side of Anauchidas of Elis, and it holds ancient jumping-weights. An elegiac couplet is written on its thigh:—

  1. To Zeus, king of the gods, as first-fruits was I placed here
  2. By the Mendeans, who reduced Sipte by might of hand.
Sipte seems to be a Thracian fortress and city. The Mendeans themselves are of Greek descent, coming from Ionia, and they live inland at some distance from the sea that is by the city of Aenus.

After my description of the votive offerings I must now go on to mention the statues of racehorses and those of men, whether athletes or ordinary folk. Not all the Olympic victors have had their statues erected; some, in fact, who have distinguished themselves, either at the games or by other exploits, have had no statue.

These I am forced to omit by the nature of my work, which is not a list of athletes who have won Olympic victories, but an account of statues and of votive offerings generally. I shall not even record all those whose statues have been set up, as I know how many have before now won the crown of wild olive not by strength but by the chance of the lot.[*](A competitor might be lucky, or unlucky, in the antagonists with whom he was paired for the various heats. He might even draw a bye, and so start fresher than his opponent.) Those only will be mentioned who themselves gained some distinction, or whose statues happened to be better made than others.