Description of Greece

As you go to the starting-point for the chariot-race there is an altar with an inscription “to the Bringer of Fate.” This is plainly a surname of Zeus, who knows the affairs of men, all that the Fates give them, and all that is not destined for them. Near there is also an oblong altar of Fates, after it one of Hermes, and the next two are of Zeus Most High. At the starting-point for the chariot-race, just about opposite the middle of it, there are in the open altars of Poseidon Horse-god and Hera Horse-goddess, and near the pillar an altar of the Dioscuri.

At the entrance to what is called the Wedge there is on one side an altar of Ares Horse-god, on the other one of Athena Horse-goddess. On entering the Wedge itself you see altars of Good Luck, Pan and Aphrodite; at the innermost part of the Wedge an altar of the Nymphs called Blooming. An altar of Artemis stands on the right as you return from the Portico that the Eleans call the Portico of Agnaptus, giving to the building the name of its architect.

After re-entering the Altis by the processional gate there are behind the Heraeum altars of the river Cladeus and of Artemis; the one after them is Apollo's, the fourth is of Artemis surnamed Coccoca, and the fifth is of Apollo Thermius. As to the Elean surname Thermius, the conjecture occurred to me that in the Attic dialect it would be thesmios (god of laws), but why Artemis is surnamed Coccoca I could not discover.

Before what is called Theëcoleon is a building, in a corner of which has been set up an altar of Pan. The Town Hall of the Eleans is within the Altis, and it has been built beside the exit beyond the gymnasium. In this gymnasium are the running-tracks and the wrestling-grounds for the athletes. In front of the door of the Town Hall is an altar of Artemis Huntress.

In the Town Hall itself, on the right as you enter the room where they have the hearth, is an altar of Pan. This hearth too is made of ashes, and on it fire burns every day and likewise every night. The ashes from this hearth, according to the account I have already given, they bring to the altar of Olympian Zeus, and what is brought from the hearth contributes a great deal to the size of the altar.

Each month the Eleans sacrifice once on all the altars I have enumerated. They sacrifice in an ancient manner; for they burn on the altars incense with wheat which has been kneaded with honey, placing also on the altars twigs of olive, and using wine for a libation. Only to the Nymphs and the Mistresses are they not wont to pour wine in libation, nor do they pour it on the altar common to all the gods. The care of the sacrifices is given to a priest, holding office for one month, to soothsayers and libation-bearers, and also to a guide, a flute-player and the woodman.

The traditional words spoken by them in the Town Hall at the libations, and the hymns which they sing, it were not right for me to introduce into my narrative. They pour libations, not only to the Greek gods, but also to the god in Libya, to Hera Ammonia and to Parammon, which is a surname of Hermes. From very early times it is plain that they used the oracle in Libya, and in the temple of Ammon are altars which the Eleans dedicated. On them are engraved the questions of the Eleans, the replies of the god, and the names of the men who came to Ammon from Elis. These are in the temple of Ammon.

The Eleans also pour libations to all heroes and wives of heroes who are honored either in Elis or among the Aetolians. The songs sung in the Town Hall are in the Doric dialect, but they do not say who it was that composed them. The Eleans also have a banqueting room. This too is in the Town Hall, opposite the chamber where stands the hearth. In this room they entertain the winners in the Olympic games.