Description of Greece

Pausanias

Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.

The following tale too is told. When the war of the Greeks against Troy was prolonged, the soothsayers prophesied to them that they would not take the city until they had fetched the bow and arrows of Heracles and a bone of Pelops. So it is said that they sent for Philoctetes to the camp, and from Pisa was brought to them a bone of Pelops—a shoulder-blade. As they were returning home, the ship carrying the bone of Pelops was wrecked off Euboea in the storm.

Many years later than the capture of Troy, Damarmenus, a fisherman from Eretria, cast a net into the sea and drew up the bone. Marvelling at its size he kept it hidden in the sand. At last he went to Delphi, to inquire whose the bone was, and what he ought to do with it.

It happened that by the providence of Heaven there was then at Delphi an Elean embassy praying for deliverance from a pestilence. So the Pythian priestess ordered the Eleans to recover the bones of Pelops, and Damarmenus to give back to the Eleans what he had found. He did so, and the Eleans repaid him by appointing him and his descendants to be guardians of the bone. The shoulder-blade of Pelops had disappeared by my time, because, I suppose, it had been hidden in the depths so long, and besides its age it was greatly decayed through the salt water.

That Pelops and Tantalus once dwelt in my country there have remained signs right down to the present day. There is a lake called after Tantalus and a famous grave, and on a peak of Mount Sipylus there is a throne of Pelops beyond the sanctuary of Plastene the Mother. If you cross the river Hermus you see an image of Aphrodite in Temnus made of a living myrtle-tree. It is a tradition among us that it was dedicated by Pelops when he was propitiating the goddess and asking for Hippodameia to be his bride.

The altar of Olympic Zeus is about equally distant from the Pelopium and the sanctuary of Hera, but it is in front of both. Some say that it was built by Idaean Heracles, others by the local heroes two generations later than Heracles. It has been made from the ash of the thighs of the victims sacrificed to Zeus, as is also the altar at Pergamus. There is an ashen altar of Samian Hera not a bit grander than what in Attica the Athenians call “improvised hearths.”

The first stage of the altar at Olympia, called prothysis, has a circumference of one hundred and twenty-five feet; the circumference of the stage on the prothysis is thirty-two feet; the total height of the altar reaches to twenty-two feet. The victims themselves it is the custom to sacrifice on the lower stage, the prothysis. But the thighs they carry up to the highest part of the altar and burn them there.

The steps that lead up to the prothysis from either side are made of stone, but those leading from the prothysis to the upper part of the altar are, like the altar itself, composed of ashes. The ascent to the prothysis may be made by maidens, and likewise by women, when they are not shut out from Olympia, but men only can ascend from the prothysis to the highest part of the altar. Even when the festival is not being held, sacrifice is offered to Zeus by private individuals and daily[*](It is possible thatἀνὰ πᾶσαν ἠμέρανmust be understood in the first clause from the second; “daily by individuals and by the Eleans.”) by the Eleans.

Every year the soothsayers, keeping carefully to the nineteenth day of the month Elaphius,[*](End of March and the beginning of April.) bring the ash from the town-hall, and making it into a paste with the water of the Alpheius they daub the altar therewith. But never may the ash be made into paste with other water, and for this reason the Alpheius is thought to be of all rivers the dearest to Olympic Zeus. There is also an altar at Didyma of the Milesians, which Heracles the Theban is said by the Milesians to have made from the blood of the victims. But in later times the blood of the sacrifices has not made the altar excessively large.

The altar at Olympia shows another strange peculiarity, which is this. The kite, the bird of prey with the most rapacious nature, never harms those who are sacrificing at Olympia. Should ever a kite seize the entrails or some of the flesh, it is regarded as an unfavorable sign for the sacrificer. There is a story that when Heracles the son of Alcmena was sacrificing at Olympia he was much worried by the flies. So either on his own initiative or at somebody's suggestion he sacrificed to Zeus Averter of Flies, and thus the flies were diverted to the other side of the Alpheius. It is said that in the same way the Eleans too sacrifice to Zeus Averter of Flies, to drive[*](I takeἐξελαύνοντεςto be a conative present participle; Frazer takes it as an ordinary temporal participle; “when they drive out.”) the flies out of Olympia.

The Eleans are wont to use for the sacrifices to Zeus the wood of the white poplar and of no other tree, preferring the white poplar, I think, simply and solely because Heracles brought it into Greece from Thesprotia. And it is my opinion that when Heracles sacrificed to Zeus at Olympia he himself burned the thigh bones of the victims upon wood of the white poplar. Heracles found the white poplar growing on the banks of the Acheron, the river in Thesprotia, and for this reason Homer[*](Hom. Il. 13.389, and Hom. Il. 16.482.) calls it “Acheroid.”

So from the first down to the present all rivers have not been equally suited for the growth of plants and trees. Tamarisks grow best and in the greatest numbers by the Maeander; the Boeotian Asopus can produce the tallest reeds; the persea tree flourishes only in the water of the Nile. So it is no wonder that the white poplar grew first by the Acheron and the wild olive by the Alpheius, and that the dark poplar is a nursling of the Celtic land of the Celtic Eridanus.