Description of Greece
Pausanias
Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.
On the right of the Lady of the Bronze House has been set up an image of Zeus Most High, the oldest image that is made of bronze. It is not wrought in one piece. Each of the limbs has been hammered separately; these are fitted together, being prevented from coming apart by nails. They say that the artist was Clearchus of Rhegium, who is said by some to have been a pupil of Dipoenus[*](See Paus. 2.15.1 and Paus. 2.32.5.) and Scyllis, by others of Daedalus himself. By what is called the Scenoma (Tent) there is a statue of a woman, whom the Lacedaemonians say is Euryleonis. She won a victory at Olympia with a two-horse chariot.
By the side of the altar of the Lady of the Bronze House stand two statues of Pausanias, the general at Plataea. His history, as it is known, I will not relate. The accurate accounts of my predecessors suffice; I shall content myself with adding to them what I heard from a man of Byzantium. Pausanias was detected in his treachery, and was the only suppliant of the Lady of the Bronze House who failed to win security, solely because he had been unable to wipe away a defilement of bloodshed.
When he was cruising about the Hellespont with the Lacedaemonian and allied fleets, he fell in love with a Byzantine maiden. And straightway at the beginning of night Cleonice —that was the girl's name—was brought by those who had been ordered to do so. But Pausanias was asleep at the time and the noise awoke him. For as she came to him she unintentionally dropped her lighted lamp. And Pausanias, conscious of his treason to Greece, and therefore always nervous and fearful, jumped up then and struck the girl with his sword.
From this defilement Pausanias could not escape, although he underwent all sorts of purifications and became a suppliant of Zeus Phyxius (God of Flight), and finally went to the wizards at Phigalia in Arcadia but he paid a fitting penalty to Cleonice and to the god. The Lacedaemonians, in fulfillment of a command from Delphi, had the bronze images made and honor the spirit Bountiful, saying that it was this Bountiful that turns aside the wrath that the God of Suppliants shows because of Pausanias.
Near the statues of Pausanias is an image of Aphrodite Ambologera (Postponer of Old Age), which was set up in accordance with an oracle; there are also images of Sleep and of Death. They think them brothers, in accordance with the verses in the Iliad.
As you go towards what is called the Alpium is a temple of Athena Ophthalmitis (Goddess of the Eye). They say that Lycurgus dedicated it when one of his eyes had been struck out by Alcander, because the laws he had made happened not to find favour with Alcander. Having fled to this place he was saved by the Lacedaemonians from losing his remaining eye, and so he made this temple of Athena Ophthalmitis.
Farther on from here is a sanctuary of Ammon. From the first the Lacedaemonians are known to have used the oracle in Libya more than any other Greeks. It is said also that when Lysander was besieging Aphytis in Pallene Ammon appeared by night and declared that it would be better for him and for Lacedaemon if they ceased from warring against Aphytis. And so Lysander raised the siege, and induced the Lacedaemonians to worship the god still more. The people of Aphytis honor Ammon no less than the Ammonian Libyans.
The story of Artemis Cnagia is as follows. Cnageus, they say, was a native who joined the Dioscuri in their expedition against Aphidna. Being taken prisoner in the battle and sold into Crete, he lived as a slave where the Cretans had a sanctuary of Artemis; but in course of time he ran away in the company of the maiden priestess, who took the image with her. It is for this reason that they name Artemis Cnagia.
But I am of opinion that Cnageus came to Crete in some other way, and not in the manner the Lacedaemonians state; for I do not think there was a battle at Aphidna at all, Theseus being detained among the Thesprotians and the Athenians not being unanimous, their sympathies inclining towards Menestheus. Moreover, even if a fight occurred, nobody would believe that prisoners were taken from the conquerors, especially as the victory was overwhelming, so that Aphidna itself was captured.
I must now end my criticisms. As you go down to Amyclae from Sparta you come to a river called Tiasa. They hold that Tiasa was a daughter of Eurotas, and by it is a sanctuary of Graces, Phaenna and Cleta, as Alcman calls them in a poem. They believe that Lacedaemon founded the sanctuary for the Graces here, and gave them their names.
The things worth seeing in Amyclae include a victor in the pentathlon,[*](See Paus. 1.29.5.) named Aenetus, on a slab. The story is that he won a victory at Olympia, but died while the crown was being placed on his head. So there is the statue of this man; there are also bronze tripods. The older ones are said to be a tithe of the Messenian war.