Description of Greece

After all, Philip himself in his turn was fated to suffer disaster through the fatal cup. Philip's son, Demetrius, was poisoned by Perseus, his younger son, and grief at the murder brought the father also to his grave. I mention the incident in passing, with my mind turned to the inspired words of the poet Hesiod,[*](Hes. WD 265) that he who plots mischief against his neighbor directs it first to himself.

After the hero-shrine of Aratus is an altar to Isthmian Poseidon, and also a Zeus Meilichius (Gracious) and an Artemis named Patroa (Paternal), both of them very inartistic works. The Meilichius is like a pyramid, the Artemis like a pillar. Here too stand their council-chamber and a portico called Cleisthenean from the name of him who built it. It was built from spoils by Cleisthenes, who helped the Amphictyons in the war at Cirrha.[*](c. 590 B.C.) In the market-place under the open sky is a bronze Zeus, a work of Lysippus,[*](Contemporary of Alexander the Great.) and by the side of it a gilded Artemis.

Hard by is a sanctuary of Apollo Lycius (Wolf-god), now fallen into ruins and not worth any attention. For wolves once so preyed upon their flocks that there was no longer any profit therefrom, and the god, mentioning a certain place where lay a dry log, gave an oracle that the bark of this log mixed with meat was to be set out for the beasts to eat. As soon as they tasted it the bark killed them, and that log lay in my time in the sanctuary of the Wolf-god, but not even the guides of the Sicyonians knew what kind of tree it was.

Next after this are bronze portrait statues, said to be the daughters of Proetus, but the inscription I found referred to other women. Here there is a bronze Heracles, made by Lysippus the Sicyonian, and hard by stands Hermes of the Market-place.

In the gymnasium not far from the market-place is dedicated a stone Heracles made by Scopas.[*](Flourished first half of fourth century B.C.) There is also in another place a sanctuary of Heracles. The whole of the enclosure here they name Paedize; in the middle of the enclosure is the sanctuary, and in it is an old wooden figure carved by Laphaes the Phliasian. I will now describe the ritual at the festival. The story is that on coming to the Sicyonian land Phaestus found the people giving offerings to Heracles as to a hero. Phaestus then refused to do anything of the kind, but insisted on sacrificing to him as to a god. Even at the present day the Sicyonians, after slaying a lamb and burning the thighs upon the altar, eat some of the meat as part of a victim given to a god, while the rest they offer as to a hero. The first day of the festival in honor of Heracles they name . . . ; the second they call Heraclea.

From here is a way to a sanctuary of Asclepius. On passing into the enclosure you see on the left a building with two rooms. In the outer room lies a figure of Sleep, of which nothing remains now except the head. The inner room is given over to the Carnean Apollo; into it none may enter except the priests. In the portico lies a huge bone of a sea-monster, and after it an image of the Dream-god and Sleep, surnamed Epidotes (Bountiful), lulling to sleep a lion. Within the sanctuary on either side of the entrance is an image, on the one hand Pan seated, on the other Artemis standing.

When you have entered you see the god, a beardless figure of gold and ivory made by Calamis.[*](A famous early fifth century sculptor.) He holds a staff in one hand, and a cone of the cultivated pine in the other. The Sicyonians say that the god was carried to them from Epidaurus on a carriage drawn by two mules, that he was in the likeness of a serpent, and that he was brought by Nicagora of Sicyon, the mother of Agasicles and the wife of Echetimus. Here are small figures hanging from the roof. She who is on the serpent they say is Aristodama, the mother of Aratus, whom they hold to be a son of Asclepius.