Description of Greece

Pausanias

Pausanias. Pausanias Description of Greece, Volumes 1-4. Jones, W.H.S. (William Henry Samuel), translator; Ormerod, Henry Arderne, translator. London, New York: W. Heinemann, G.P. Putnam's Sons, 1918-1935.

These were made by Tisander, but the next were made by Alypus of Sicyon, namely:—Theopompus the Myndian, Cleomedes of Samos, the two Euboeans Aristocles of Carystus and Autonomus of Eretria, Aristophantus of Corinth, Apollodorus of Troezen, and Dion from Epidaurus in Argolis. Next to these come the Achaean Axionicus from Pellene, Theares of Hermion, Pyrrhias the Phocian, Comon of Megara, Agasimenes of Sicyon, Telycrates the Leucadian, Pythodotus of Corinth and Euantidas the Ambraciot; last come the Lacedaemonians Epicydidas and Eteonicus. These, they say, are works of Patrocles and Canachus.

The Athenians refuse to confess that their defeat at Aegospotami was fairly inflicted, maintaining that they were betrayed by Tydeus and Adeimantus, their generals, who had been bribed, they say, with money by Lysander. As a proof of this assertion they quote the following oracle of the Sibyl:—

  1. And then on the Athenians will be laid grievous troubles
  2. By Zeus the high-thunderer, whose might is the greatest,
  3. On the war-ships battle and fighting,
  4. As they are destroyed by treacherous tricks, through the baseness of the captains.
The other evidence that they quote is taken from the oracles of Musaeus:—
  1. For on the Athenians comes a wild rain
  2. Through the baseness of their leaders, but some consolation will there be
  3. For the defeat; they shall not escape the notice of the city, but shall pay the penalty.

So much for this belief. The struggle for the district called Thyrea[*](Pausanias seems to refer to a battle in 548 B.C., but the date of the artist Antiphanes makes it more probable that the horse was dedicated to commemorate a later battle fought in 424 B.C.) between the Lacedaemonians and the Argives[*](548 or 424 B.C) was also foretold by the Sibyl, who said that the battle would be drawn. But the Argives claimed that they had the better of the engagement, and sent to Delphi a bronze horse, supposed to be the wooden horse of Troy. It is the work of Antiphanes of Argos.

On the base below the wooden horse is an inscription which says that the statues were dedicated from a tithe of the spoils taken in the engagement at Marathon. They represent Athena, Apollo, and Miltiades, one of the generals. Of those called heroes there are Erechtheus, Cecrops, Pandion, Leos, Antiochus, son of Heracles by Meda, daughter of Phylas, as well as Aegeus and Acamas, one of the sons of Theseus. These heroes gave names, in obedience to a Delphic oracle, to tribes at Athens. Codrus however, the son of Melanthus, Theseus, and Neleus, these are not givers of names to tribes.

The statues enumerated were made by Pheidias, and really are a tithe of the spoils of thebattle. But the statues of Antigonus, of his son Demetrius, and of Ptolemy the Egyptian, were sent to Delphi by the Athenians afterwards. The statue of the Egyptian they sent out of good-will; those of the Macedonians were sent because of the dread that they inspired.

Near the horse are also other votive offerings of the Argives, likenesses of the captains of those who with Polyneices made war on Thebes: Adrastus, the son of Talaus, Tydeus, son of Oeneus, the descendants of Proetus, namely, Capaneus, son of Hipponous, and Eteoclus, son of Iphis, Polyneices, and Hippomedon, son of the sister of Adrastus. Near is represented the chariot of Amphiaraus, and in it stands Baton, a relative of Amphiaraus who served as his charioteer. The last of them is Alitherses.

These are works of Hypatodorus and Aristogeiton, who made them, as the Argives themselves say, from the spoils of the victory which they and their Athenian allies won over the Lacedaemonians at Oenoe in Argive territory.[*](463-458 B.C) From spoils of the same action, it seems to me, the Argives set up statues of those whom the Greeks call the Epigoni. For there stand statues of these also, Sthenelus, Alcmaeon, who I think was honored before Amphilochus on account of his age, Promachus also, Thersander, Aegialeus and Diomedes. Between Diomedes and Aegialeus is Euryalus.

Opposite them are other statues, dedicated by the Argives who helped the Thebans under Epaminondas to found Messene. The statues are of heroes: Danaus, the most powerful king of Argos, and Hypermnestra, for she alone of her sisters kept her hands undefiled. By her side is Lynceus also, and the whole family of them to Heracles, and further back still to Perseus.

The bronze horses and captive women dedicated by the Tarentines were made from spoils taken from the Messapians, a non-Greek people bordering on the territory of Tarentum, and are works of Ageladas the Argive. Tarentum is a colony of the Lacedaemonians, and its founder was Phalanthus, a Spartan. On setting out to found a colony Phalanthus received an oracle from Delphi, declaring that when he should feel rain under a cloudless sky (aethra), he would then win both a territory and a city.

At first he neither examined the oracle himself nor informed one of his interpreters, but came to Italy with his ships. But when, although he won victories over the barbarians, he succeeded neither in taking a city nor in making himself master of a territory, he called to mind the oracle, and thought that the god had foretold an impossibility. For never could rain fall from a clear and cloudless sky. When he was in despair, his wife, who had accompanied him from home, among other endearments placed her husband's head between her knees and began to pick out the lice. And it chanced that the wife, such was her affection, wept as she saw her husband's fortunes coming to nothing.

As her tears fell in showers, and she wetted the head of Phalanthus, he realized the meaning of the oracle, for his wife's name was Aethra. And so on that night he took from the barbarians Tarentum, the largest and most prosperous city on the coast. They say that Taras the hero was a son of Poseidon by a nymph of the country, and that after this hero were named both the city and the river. For the river, just like the city, is called Taras.

Near the votive offering of the Tarentines is a treasury of the Sicyonians, but there is no treasure to be seen either here or in any other of the treasuries. The Cnidians brought the following images to Delphi: Triopas, founder of Cnidus, standing by a horse, Leto, and Apollo and Artemis shooting arrows at Tityos, who has already been wounded in the body.

These stand by the treasury of the Sicyonians. The Siphnians too made a treasury, the reason being as follows. Their island contained gold mines, and the god ordered them to pay a tithe of the revenues to Delphi. So they built the treasury, and continued to pay the tithe until greed made them omit the tribute, when the sea flooded their mines and hid them from sight.

The people of Lipara too dedicated statues to commemorate a naval victory over the Etruscans. These people were colonists from Cnidus, and the leader of the colony is said to have been a Cnidian, whose name was Pentathlus according to a statement made by the Syracusan Antiochus, son of Xenophanes, in his history of Sicily. He says also that they built a city on Cape Pachynum in Sicily, but were hard pressed in a war with the Elymi and Phoenicians, and driven out, but occupied the islands, from which they expelled the inhabitants if they were not still uninhabited, still called, as they are called by Homer,[*](See Hom. Od. 10.1.) the Islands of Aeolus.