Description of Greece

They say that the oldest city was founded here by Parnassus, a son of Cleodora, a nymph. Like the other heroes, as they are called, he had two fathers; one they say was the god Poseidon, the human father being Cleopompus. After this Parnassus were named, they say, both the mountain and also the Parnassian glen. Augury from flying birds was, it is said, a discovery of Parnassus.

Now this city, so the story goes on, was flooded by the rains that fell in the time of Deucalion. Such of the inhabitants as were able to escape the storm were led by the howls of wolves to safety on the top of Parnassus, being led on their way by these beasts, and on this account they called the city that they founded Lycoreia (Mountainwolf-city).

Another and different legend is current that Apollo had a son Lycorus by a nymph, Corycia, and that after Lycorus was named the city Lycoreia, and after the nymph the Corycian cave. It is also said that Celaeno was daughter to Hyamus, son of Lycorus, and that Delphus, from whom comes the present name of the city, was a son of Celaeno, daughter of Hyamus, by Apollo.

Others maintain that Castalius, an aboriginal, had a daughter Thyia, who was the first to be priestess of Dionysus and celebrate orgies in honor of the god. It is said that later on men called after her Thyiads all women who rave in honor of Dionysus. At any rate they hold that Delphus was a son of Apollo and Thyia. Others say that his mother was Melaena, daughter of Cephisus.

Afterwards the dwellers around called the city Pytho, as well as Delphi, just as Homer[*](Hom. Il. 2.519) so calls it in the list of the Phocians. Those who would find pedigrees for everything think that Pythes was a son of Delphus, and that because he was king the city was called Pytho. But the most widespread tradition has it that the victim of Apollo's arrows rotted here, and that this was the reason why the city received the name Pytho. For the men of those days used pythesthai for the verb “to rot,” and hence Homer in his poem says that the island of the Sirens was full of bones, because the men who heard their singing rotted (epythonto).

The poets say that the victim of Apollo was a dragon posted by Earth to be a guard for the oracle. It is also said that he was a violent son of Crius, a man with authority around Euboea. He pillaged the sanctuary of the god, and he also pillaged the houses of rich men. But when he was making a second expedition, the Delphians besought Apollo to keep from them the danger that threatened them.

Phemonoe, the prophetess of that day, gave them an oracle in hexameter verse:—

1. At close quarters a grievous arrow shall Apollo shoot
2. At the spoiler of Parnassus; and of his blood-guilt
3. The Cretans shall cleanse his hands; but the renown shall never die.

It seems that from the beginning the sanctuary at Delphi has been plotted against by a vast number of men. Attacks were made against it by this Euboean pirate, and years afterwards by the Phlegyan nation; furthermore by Pyrrhus, son of Achilles, by a portion of the army of Xerxes, by the Phocian chieftains, whose attacks on the wealth of the god were the longest and fiercest, and by the Gallic invaders. It was fated too that Delphi was to suffer from the universal irreverence of Nero, who robbed Apollo of five hundred bronze statues, some of gods, some of men.

The oldest contest and the one for which they first offered prizes was, according to tradition, the singing of a hymn to the god. The man who sang and won the prize was Chrysothemis of Crete, whose father Carmanor is said to have cleansed Apollo. After Chrysothemis, says tradition, Philammon won with a song, and after him his son Thamyris. But they say that Orpheus, a proud man and conceited about his mysteries, and Musaeus, who copied Orpheus in everything, refused to submit to the competition in musical skill.

They say too that Eleuther won a Pythian victory for his loud and sweet voice, for the song that he sang was not of his own composition. The story is that Hesiod too was debarred from competing because he had not learned to accompany his own singing on the harp. Homer too came to Delphi to inquire about his needs, but even though he had learned to play the harp, he would have found the skill useless owing to the loss of his eye-sight.

In the third year of the forty-eighth Olympiad,[*](586 B.C) at which Glaucias of Crotona was victorious, the Amphictyons held contests for harping as from the beginning, but added competitions for flute-playing and for singing to the flute. The conquerors proclaimed were Melampus, a Cephallenian, for harping, and Echembrotus, an Arcadian, for singing to the flute, with Sacadas of Argos for flute-playing. This same Sacadas won victories at the next two Pythian festivals.

On that occasion they also offered for the first time prizes for athletes, the competitions being the same as those at Olympia, except the four-horse chariot, and the Delphians themselves added to the contests running-races for boys, the long course and the double course. At the second Pythian Festival they no longer offered prizes for events, and hereafter gave a crown for victory. On this occasion they no longer included singing to the flute, thinking that the music was ill-omened to listen to. For the tunes of the flute were most dismal, and the words sung to the tunes were lamentations.

What I say is confirmed by the votive offering of Echembrotus, a bronze tripod dedicated to the Heracles at Thebes. The tripod has as its inscription:—

1. Echembrotus of Arcadia dedicated this pleasant gift to Heracles
2. When he won a victory at the games of the Amphictyons,
3. Singing for the Greeks tunes and lamentations.