Quomodo historia conscribenda sit
Lucian of Samosata
Lucian, Vol. 6. Kilburn, K., translator. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1959.
So in my own case, Philo, to avoid being the only mute in such a polyphonic time, pushed about open-mouthed without a word like an extra in a comedy, I thought it a good idea to roll my barrel as best I could; not to produce a history or even merely chronicle the events—I’m not so bold as that: don’t be afraid that I should go that far. I know the danger of rolling it over rocks, particularly a poorly baked little barrel like mine. Just as soon as it hits against a tiny piece of stone we shall have to pick up the pieces. I shall tell you then what I have decided to do and how I shall take part in the war in safety, keeping well out of range myself. “From your spray and surge’’ [*](Homer, Od. xii, 198, describing the whirlpool of Charybdis.) and all the cares that attend the writer of history I shall keep myself aloof and rightly so. In fact, I shall offer a little advice and these few precepts to historians, so that I may share in the erection of their building, if not the inscription on it, by putting at any rate my finger-tip on the mortar.
Yet most of them think they don’t even need advice for the job any more than they need a set of rules for walking or seeing or eating; no, they think it is perfectly simple and easy to write history and that anyone can do it if only he can put what comes to him into words. As to that, I’m sure you know as well as I do, my dear friend, that history is not one of those things that can be put in hand without effort and can be put together lazily, but is something which needs, if anything does in literature, a great deal of thought
Advice works in two ways: it teaches us to choose this and avoid that. So first let us say what the writer of history has to avoid, from what contaminations he must in particular be free; then what means he must use in order not to lose the right road that carries him straight ahead—I mean how to begin, how to arrange his material, the proper proportions for each part, what to leave out, what to develop, what it is better to handle cursorily, and how to put the facts into words and fit them together. These and kindred matters will come later. But