De saltatione
Lucian of Samosata
The Works of Lucian of Samosata, complete, with exceptions specified in thepreface, Vol. 2. Fowler, H. W. and Fowlere, F.G., translators. Oxford at the Clarendon Press, 1905.
For the Spartan mythology must be held to include that of Troy, in all its abundance and variety. Of all who fell at Troy, not one but supplies a subject for the stage; and all—from the rape of Helen to the return of the Greeks—must ever be borne in mind: the wanderings of Aeneas, the love of Dido; and side by side with this the story of Orestes, and his daring deeds in Scythia. And there are earlier episodes which will not be out of place; they are all connected with the tale of Troy: such
Elis, too, affords many subjects for the intending pantomime: Oenomaus, Myrtilus, Cronus, Zeus, and that first Olympian contest.
Arcadia, no less rich in legendary lore, gives him the flight of Daphne, the transformation of Callisto into a bear, the drunken riot of the Centaurs, the birth of Pan, the love of Alpheus, and his submarine wanderings.
Extending our view, we find that Crete, too, may be laid under contribution: Europa’s bull, Pasiphae’s, the Labyrinth, Ariadne, Phaedra, Androgeos; Daedalus and Icarus; Glaucus, and the prophecy of Polyides; and Talos, the island’s brazen sentinel.
It is the same with Aetolia: there you will find Althaea, Meleager, Atalanta, and the fatal brand; the strife of Achelous with Heracles, the birth of the Sirens, the origin of the Echinades, those islands on which Alcmaeon dwelt after his frenzy was past; and, following these, the story of Nessus, and of Deianira’s jealousy, which brought Heracles to the pyre upon Oeta.