Imagines

Lucian of Samosata

The Works of Lucian of Samosata, complete, with exceptions specified in thepreface, Vol. 3. Fowler, H. W. and Fowlere, F.G., translators. Oxford at the Clarendon Press, 1905.

Polystratus Assuredly it will be, when it is perfected. At present, my paragon of sculptors, one element of loveliness has escaped your comprehensive grasp.

Lycinus What is that?

Polystratus A most important one. You will agree with me that colour and tone have a good deal to do with beauty? that black should be black, white be white, and red play its blushing part? It looks tome as if the most important thing of all were still lacking.

Lycinus Well, how shall we manage? Call in the painters, perhaps, selecting those who were noted for their skill in mixing and laying on their colours? Be it so: we will have Polygnotus, Euphranor of course, Apelles and Aétion; they can.

v.3.p.17

“divide the work between them. Euphranor shall colour the hair like his Hera’s; Polygnotus the comely brow and faintly blushing cheek, after his Cassandra in the Assembly-room at Delphi. Polygnotus shall also paint her robe,—of the finest texture, part duly gathered in, but most of it floating in the breeze. For the flesh-tints, which must be neither too pale nor too high-coloured, Apelles shall copy his own Campaspe.

And lastly, Aétion shall give her Roxana’s lips, Nay, we can do better: have we not. Homer, best of painters, though a Euphranor and an Apelles be present? Let him colour all like the limbs of Menelaus, which he says were ‘ivory tinged with red.’ He too shall paint her calm ‘ox-eyes,’ and the Theban poet shall help him to give them their ‘violet’ hue. Homer shall add her smile, her white arms, her rosy finger-tips, and so complete the resemblance to golden Aphrodite, to whom he has compared Brises’ daughter with far less reason.