Alexander

Lucian of Samosata

The Works of Lucian of Samosata, complete, with exceptions specified in thepreface, Vol. 2. Fowler, H. W. and Fowlere, F.G., translators. Oxford at the Clarendon Press, 1905.

Alexander meanwhile went on in advance; he had now grown his hair and wore it in long curls; his doublet was white and purple striped, his cloak pure white; he carried a scimetar in imitation of Perseus, from whom he now claimed descent through his mother. The wretched Paphlagonians, who knew perfectly well that his parentage was obscure and mean on both sides, nevertheless gave credence to the oracle, which ran:

  • Lo, sprung from Perseus, and to Phoebus dear,
  • High Alexander, Podalirius’ son!
    • Podalirius, it seems, was of so highly amorous a complexion that the distance between Tricca and Paphlagonia was no bar to his union with Alexander’s mother. A Sibylline prophecy had also been found:
  • Hard by Sinope on the Euxine shore
  • Th’ Italic age a fortress prophet sees.
  • To the first monad let thrice ten be added,
  • Five monads yet, and then a triple score:
  • Such the quaternion of th’ alexic name[*](In l. 2 of the oracle, the Italic age is the Roman Empire; the fortress prophet is one who belongs to a place ending in -tichus (fort), ll. 3-5 mean: Take 1, 30, 5, 60 (the Greek symbols for which are the letters of the alphabet A, L, E, X), and you will have four letters of the name of your coming protector (alexic).).
    • v.2.p.218

    This heroic entry into his long-left home placed Alexander conspicuously before the public; he affected madness, and frequently foamed at the mouth—a manifestation easily produced by chewing the herb soap-wort, used by dyers; but it brought him reverence and awe. The two had long ago manufactured and fitted up a serpent’s head of linen; they had given it a more or less human expression, and painted it very like the real article; by a contrivance of horsehair, the mouth could be opened and shut, and a forked black serpent tongue protruded, working on the same system. The serpent from Pella was also kept ready in the house, to be produced at the right moment and take its part in the drama—the leading part, indeed.