De luctu

The behaviour of the average man in a time of bereavement, his own language and the remarks offered him by way of consolation, are things that will reward the attention of a curious observer. The mourner takes it for granted that a terrible blow has fallen both upon himself and upon the object of his lamentations: yet for all he knows to the contrary (and here I appeal to Pluto and Persephone) the departed one, so far from being entitled to commiseration, may find himself in improved circumstances. The feelings of the bereaved party are in fact guided solely by custom and convention. The procedure in such cases—but no: let me first state the popular beliefs on the subject of death itself; we shall then understand the motives for the elaborate ceremonial with which it is attended.

The vulgar (as philosophers call the generality of mankind), implicitly taking as their text-book the fictions of Homer and Hesiod and other poets, assume the existence of a deep subterranean hole called Hades; spacious, murky, and sunless, but by some mysterious means sufficiently lighted to render all its details visible. Its king is a brother of Zeus, one Pluto; whose name—so an able philologer assures me—contains a complimentary allusion to his ghostly wealth. As to the nature of his government, and the condition of his subjects, the authority

His realm is encompassed by vast rivers, whose very names inspire awe: Cocytus, Pyriphlegethon, and the like. Most formidable of all, and first to arrest the progress of the new-comer, is Acheron, that lake which none may pass save by the ferryman’s boat; it is too deep to be waded, too broad for the swimmer, and even defies the flight of birds deceased.

At the very beginning of the descent is a gate of adamant: here Aeacus, a nephew of the king, stands on guard. By his side is a three-headed dog, a grim brute; to new arrivals, however, he is friendly enough, reserving his bark, and the yawning horror of his jaws, for the would-be runaway.