De luctu
Lucian of Samosata
Lucian, Vol. 4. Harmon, A. M., editor. London: William Heinemann, Ltd.; Cambridge, MA: Harvard University Press, 1925.
“Come now, since you apparently do not know how to mourn, I will teach you to do it more truth-
If you say this, father, don't you think it will be far more true and more manly than what you said before ? “But perhaps it is something else that worries you. You are thinking of the gloom where we are, and the profound darkness, and so you fear that I may be stifled in the close custody of the tomb. On that point you should reflect that as my eyes will very soon be corrupted or even burned, if you have decided to burn me, I shall have no need either for darkness or for light as far as seeing is concerned.
“That fear, however, is perhaps reasonable enough; but what good do you think I get from your wailing, and this beating of breasts to the music of the flute, and the extravagant conduct of the women in lamenting? Or from the wreathed stone above my grave? Or what, pray, is the use of your pouring out the pure wine? You don't think, do you, that it will drip down to where we are and get all the way through to Hades? As to the burnt offerings, you yourselves see, I think, that the most nourishing part of your provender is carried off up to Heaven by the smoke without doing us in the lower world the least bit of good, and that what is left, the ashes, is useless, unless
By Heaven, if the dead man should face them, raising himself upon his elbow, and say all this, don’t you think he would be quite right? Nevertheless, the dolts not only shriek and scream, but they send for a sort of professor of threnodies, who has gathered a repertory of ancient bereavements, and they use him as fellow-actor and prompter in their silly performance, coming in with their groans at the close of each strain that he strikes up!
- These words spoken, at once the doom of death overwhelmed him.[*](Iliad, 16, 502. )