Piscator

Lucian of Samosata

The Works of Lucian of Samosata, complete, with exceptions specified in thepreface, Vol. 1. Fowler, H. W. and Fowlere, F.G., translators. Oxford at the Clarendon Press, 1905.

This spectacle, I say, was too much for me; I began exposing them, and distinguishing between them and you; and for this good work you now arraign me. So then, if I find one of the Initiated betraying and parodying the Mysteries of the two Goddesses, and if I protest and denounce him, the transgression will be mine? There is something wrong there; why, at the Games, if an actor who has to present Athene or Posidon or

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Zeus plays his part badly, derogating from the divine dignity, the stewards have him whipped; well, the Gods are not angry with them for having the officers whip the man who wears their mask and their attire; I imagine they approve of the punishment. To play a slave or a messenger badly is a trifling offence, but to represent Zeus or Heracles to the spectators in an unworthy manner—that is a crime and a sacrilege.

I canindeed conceive nothing more extraordinary than that so many of them should get themselves absolutely perfect in your words, and then live precisely as if the sole object of reading and studying them had been to reverse them in practice. All their professions of despising wealth and appearances, of admiring nothing but what is noble, of superiority to passion, of being proof against splendour, and associating with its owners only on equal terms—how fair and wise and laudable they all are! But they take pay for-imparting them, they are abashed in presence of the rich, their lips water at sight of coin; they are dogs for temper,- hares for cowardice, apes for imitativeness, asses for lust, cats for thievery, cocks for jealousy. They are a perfect laughing-stock with their strivings after vile ends, their jostling of each other at rich men’s doors, their attendance at crowded dinners, and their vulgar obsequiousness at table. They swill more than they should and would like to swill more than they do, they spoil the wine with unwelcome and untimely disquisitions, and they cannot carry their liquor. The ordinary people who are present naturally flout them, and are revolted by the philosophy which breeds such brutes.

What is so monstrous is that every man’ of them says he has no needs, proclaims aloud that wisdom is ‘the only wealth, and directly afterwards comes begging and makes a fuss if he is refused; it would hardly be stranger to see one in kingly attire, with tall tiara, crown, and all the attributes of royalty, asking his inferiors for a little something more. When they want to

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get something, we hear a great deal, to be sure, about community of goods—how wealth is a thing indifferent—and what is gold and silver?—neither more nor less worth than pebbles on the beach. But when an old comrade and tried friend needs help and comes to them with his modest requirements, ah, then there is silence and searchings of heart, unlearning of tenets and flat renunciation of doctrines. All their fine talk of friendship, with Virtue and The Good, have vanished and flown, who knows whither? they were winged words in sad truth, empty phantoms, only meant for daily conversational use.

These men are excellent friends so long as there is no gold or silver for them to dispute the possession of; exhibit but a copper or two, and peace is broken, truce void, armistice ended; their books are blank, their Virtue fled, and they so many dogs; some one has flung a bone into the pack, and up they spring to bite each other and snarl at the one which has pounced successfully. There is a story of an Egyptian king who taught some apes the sword-dance; the imitative creatures very soon picked it up, and used to perform in purple robes and masks; for some time the show was a great success, till at last an ingenious spectator brought some nuts in with him and threw them down. The apes forgot their dancing at the sight, dropped their humanity, resumed their apehood, and, smashing masks and tearing dresses, had a free fight for the provender. Alas for the corps de ballet and the gravity of the audience!