Sophist

Str. Therefore all of us elders here will try, and are now trying, to bring you as near as possible without the sad experience. So answer this question about the sophist: Is this now clear, that he is a kind of a juggler, an imitator of realities, or are we still uncertain whether he may not truly possess the knowledge of all the things about which he seems to be able to argue?

Theaet. How could that be, my dear sir? Surely it is pretty clear by this time from what has been said that he is one of those whose business is entertainment.

Str. That is to say, he must be classed as a juggler and imitator.

Theaet. Of course he must.

Str. Look sharp, then; it is now our business not to let the beast get away again, for we have almost got him into a kind of encircling net of the devices we employ in arguments about such subjects, so that he will not now escape the next thing.

Theaet. What next thing?

Str. The conclusion that he belongs to the class of conjurers.

Theaet. I agree to that opinion of him, too.

Str. It is decided, then, that we will as quickly as possible divide the image-making art and go down into it, and if the sophist stands his ground against us at first, we will seize him by the orders of reason, our king, then deliver him up to the king and display his capture. But if he tries to take cover in any of the various sections of the imitative art, we must follow him, always dividing the section into which he has retreated, until he is caught. For assuredly neither he nor any other creature will ever boast of having escaped from pursuers who are able to follow up the pursuit in detail and everywhere in this methodical way.

Theaet. You are right. That is what we must do.

Str. To return, then, to our previous method of division, I think I see this time also two classes of imitation, but I do not yet seem to be able to make out in which of them the form we are seeking is to be found.

Theaet. Please first make the division and tell us what two classes you mean.

Str. I see the likeness-making art as one part of imitation. This is met with, as a rule, whenever anyone produces the imitation by following the proportions of the original in length, breadth, and depth, and giving, besides, the appropriate colors to each part.

Theaet. Yes, but do not all imitators try to do this?