On the Cavalry Commander

Xenophon

Xenophon, creator; Scripta Minora; Marchant, E. C. (Edgar Cardew), 1864-1960, editor, translator; Bowersock, G. W, (Glen Warren), 1936-, editor, translator

Let us assume that this formation has been adopted: every file-leader must know his position in the line of march by word passed along by the colonel, just as every colonel is informed by the commander of his proper place in the charge. For when these instructions are given there will be much better order than if the men hamper one another like a crowd leaving the theatre.

And in the event of a frontal attack, the men in the van are far more willing to fight when they know that this is their station; so is the rear-rank in the event of a surprise attack in the rear, when the men there understand that it is disgraceful to leave their post.

But if no order is kept there is confusion whenever the roads are narrow or rivers are being crossed; and when an action is fought no one voluntarily takes his post in the fighting line.

All these preliminaries must be thoroughly mastered by all the cavalry, if they are to give their leader unflinching support.

Now we come to duties that the cavalry commander must perform himself. First, he must sacrifice to propitiate the gods on behalf of the cavalry; secondly, he must make the processions during the festivals worth seeing; further, he must conduct all the other obligatory displays before the people with as much splendour as possible, that is to say, the reviews in the Academy, in the Lyceum, at Phalerum, and in the Hippodrome.[*](Nothing in the sequel refers to manoeuvres at Phalerum; accordingly it has been proposed to omit καὶ τὰ Φαληροῖ as spurious. The Hippodrome was probably in the N.W. district of the Piraeus. This treatise gives the only information that we possess about these functions.)

These again are only brief notes; and I will now explain exactly how the details of these various functions may be carried out with most splendour.

As for the processions, I think they would be most acceptable both to the gods and to the spectators if they included a gala ride in the market place. The starting point would be the Herms[*](The Herms stood in two rows between the Stoa Basileios and the Poicile. The Eleusinium, probably lay at the western foot of the Acropolis. See Frazer, Pausanias vol. 2., p. 121 and p. 131. Some think the site was at the east foot.); and the cavalry would ride round saluting the gods at their shrines and statues. So at the Great Dionysia the dance of the choruses forms part of the homage offered to the Twelve and to other gods.

When the circuit is completed and the cavalcade is again near the Herms, the next thing to do, I think, is to gallop at top speed by regiments as far as the Eleusinium.

I will add a word on the position in which the lances should be held to prevent crossing. Every man should point his lance between his horse’s ears, if the weapons are to look fearsome, stand out distinctly, and at the same time to convey the impression of numbers.