Antidosis

First of all, then, you should know that there are no fewer branches of composition in prose than in verse. For some men have devoted their lives to researches in the genealogies of the demi-gods; others have made studies in the poets; others have elected to compose histories of wars; while still others have occupied themselves with dialogue,[*](Elsewhere called disputation (“eristic”). See General Introd. p. xxi.) and are called dialecticians.

It would, however, be no slight task to attempt to enumerate all the forms of prose, and I shall take up only that which is pertinent to me, and ignore the rest. For there are men who, albeit they are not strangers to the branches which I have mentioned, have chosen rather to write discourses, not for private disputes, but which deal with the world of Hellas, with affairs of state, and are appropriate to be delivered at the Pan-Hellenic assemblies—discourses which, as everyone will agree, are more akin to works composed in rhythm and set to music than to the speeches which are made in court.

For they set forth facts in a style more imaginative and more ornate; they employ thoughts which are more lofty and more original, and, besides, they use throughout figures of speech in greater number and of more striking character.[*](See General Introd. p. xxiv.) All men take as much pleasure in listening to this kind of prose as in listening to poetry, and many desire to take lessons in it, believing that those who excel in this field are wiser and better and of more use to the world than men who speak well in court.