Deipnosophistae

Athenaeus of Naucratis

Athenaeus. The Deipnosophists or Banquet Of The Learned Of Athenaeus. Yonge, Charles Duke, translator. London: Henry G. Bohn, 1854.

But we may decline entering on the subject of goblets of earthenware; for Ctesias says–

Among the Persians, that man only uses an earthenware who is dishonoured by the king.
And Chœrilus the epic poet says—
  1. Here in my hands I hold a wretched piece
  2. Of earthen goblet, broken all around,
  3. Sad relic of a band of merry feasters;
  4. And often the fierce gale of wanton Bacchus
  5. Dashes such wrecks with insult on the shore.
But I am well aware that earthenware cups are often very pleasant, as those which are imported among us from Coptus; for they are made of earth which is mixed up with spices. And Aristotle, in his treatise on Drunkenness, says—
The cups which are called Rhodiacan are brought into drinking parties, because of the pleasure which they afford, and also because, when they are warmed, they deprive the wine of some of its intoxicating properties; for they are filled with myrrh and rushes, and other things of the same sort, put into water and then boiled; and when this mixture is put into the wine, the drinkers are less apt to become intoxicated.
And in another place he says—
The Rhodiacan cups consist of myrrh, flowery rushes, saffron, balsam, spikenard, and cinnamon, all boiled together; and when some of this compound is added to the wine, it has such effect in preventing intoxication, that it even diminishes the amorous propensities, checking the breath in some degree.

We ought not, then, to drink madly, looking at the multitude of these beautiful cups, made as they are with every sort of various art, in various countries.

But the common people,
says Chrysippus, in the introduction to his treatise on what is Good and Evil, "apply the term madly to a great number of things; and so they call a desire for women
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γυναικομανία, a fondness for quails ὀρτυγομανία; and some also call those who are very anxious for fame δοξομανεῖς; just as they call those who are fond of women γυναικομανεῖς, and those who are fond of birds ὀρνιθομανεῖς: all these nouns having the same notion of a propensity to the degree of madness. So that there is nothing inconsistent in other feelings and circumstances having this name applied to them; as a person who is very fond of delicacies, and who is properly called φίλοψος and ὀψοφάγος, may be called ὀψομανής; and a man very fond of wine maybe called οἰνομανής; and so in similar instances. And there is nothing unreasonable in attributing madness to such people, since they carry their errors to a very mad pitch, and wander a great distance from the real truth.

Let us, then, as was the custom among the Athenians, drink our wine while listening to these jesters and buffoons, and to other artists of the same kind. And Philochorus speaks of this kind of people in these terms—

The Athenians, in the festivals of Bacchus, originally used to go to the spectacle after they had dined and drunk their wine; and they used to witness the games with garlands on their heads. But during the whole time that the games were going on, wine was continually being offered to them, and sweetmeats were constantly being brought round; and when the choruses entered, they were offered wine; and also when the exhibition was over, and they were departing, wine was offered to them again. And Pherecrates the comic poet bears witness to all these things, and to the fact that down to his own time the spectators were never left without refreshment.
And Phanodemus says—"At the temple of Bacchus, which is in the Marshes (ἐν λίμναις), the Athenians bring wine, and mix it out of the cask for the god, and then drink of it themselves; on which account Bacchus is also called λιμναῖος, because the wine was first drunk at that festival mixed with water. On which account the fountains were called Nymphs and te Nurses of Bacchus, because the water being mingled with the wine increases the quantity of the wine.

Accordingly, men being delighted with this mixture, celebrated Bacchus in their songs, dancing and invoking him under the names of Euanthes, and Dithyrambus, and Baccheutes, and Bromius." And Theophrastus, in hi treatise on Drunkenness, says—

The nymphs are really the nurses of
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Bacchus; for the vines, when cut, pour forth a great deal of moisture, and after their own nature weep.
On which account Euripides says that one of the Horses of the Sun is
  1. Aethops, who with his fervent heat doth ripen
  2. Th' autumnal vines of sweetly flow'ring Bacchus,
  3. From which men also call wine Aethops (αἴθοπα οἶνον).
And Ulysses gave
  1. Twelve large vessels of unmix'd red wine,
  2. Mellifluous, undecaying, and divine,
  3. Which now (some ages from his race conceal'd)
  4. The hoary sire in gratitude reveal'd.
  5. Such was the wine, to quench whose fervent steam
  6. Scarce twenty measures from the living stream
  7. To cool one cup sufficed; the goblet crown'd,
  8. Breathed aromatic fragrancies around.[*](Odyss. xi. 209.)
And Timotheus, in his Cyclops, says—
  1. He fill'd one cup, of well-turn'd iv'ry made,
  2. With dark ambrosial drops of foaming wine;
  3. And twenty measures of the sober stream
  4. He poured in, and with the blood of Bacchus
  5. Mingled fresh tears, shed by the weeping nymphs.

And I know, my messmates, of some men who were proud, not so much of their wealth in money as of the possession of many cups of silver and gold; one of whom is Pytheas the Arcadian, of the town of Phigalea, who, even when dying, did not hesitate to enjoin his servants to inscribe the following verses on his tomb:—

  1. This is the tomb of Pytheas, a man
  2. Both wise and good, the fortunate possessor
  3. Of a most countless number of fine cups,
  4. Of silver made, and gold, and brilliant amber.
  5. These were his treasures, and of them he had
  6. A store, surpassing all who lived before him.
And Harmodius the Lepreatian mentions this fact in his treatise on the Laws and Customs subsisting in Phigalea. And Xenophon, in the eighth book of his Cyropædia, speaking of the Persians, writes as follows—
And also they pride themselves exceedingly on the possession of as many goblets as possible; and even if they have acquired them by notorious malpractices, they are not at all ashamed of so doing; for injustice and covetousness are carried on to a great degree among them.
But Œdipus cursed his sons on account of some drinking-cups (as the author of the Cyclic poem called
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the Thebais says), because they set before him a goblet which he had forbidden; speaking as follows:—
  1. But the divine, the golden-hair'd hero,
  2. Great Polynices, set before his father first
  3. A silver table, beautifully wrought,
  4. Whilome the property of th' immortal Cadmus;
  5. And then he fill'd a beauteous golden cup
  6. Up to the brim with sweet and fragrant wine;
  7. But Œdipus, when with angry eyes he saw
  8. The ornaments belonging to his sire
  9. Now set before him, felt a mighty rage,
  10. Which glow'd within his breast, and straightway pour'd
  11. The bitterest curses forth on both his sons,
  12. (Nor were they by the Fury all unheard,)
  13. Praying that they might never share in peace
  14. The treasures of their father, but for ever
  15. With one another strive in arms and war.

And Cæcilius the orator who came from Cale Acte, in his treatise on History, says that Agathocles the Great, when displaying his golden drinking-cups to his companions, said that he had got all these from the earthenware cups which he had previously made. And in Sophocles, in the Larissæans, Acrisius had a great many drinking-cups; where the tragedian speaks as follows:—

  1. And he proclaims to strangers from all quarters
  2. A mighty contest, promising among them
  3. Goblets well wrought in brass, and beauteous vases
  4. Inlaid with gold, and silver drinking-cups,
  5. Full twice threescore in number, fair to see.
And Posidonius, in the twenty-sixth book of his Histories, says that Lysimachus the Babylonian, having invited Himerus to a banquet (who was tyrant not only over the people of Babylon, but also over the citizens of Seleucia), with three hundred of his companions, after the tables were removed, gave every one of the three hundred a silver cup, weighing four mince; and when he had made a libation, e pledged them all at once, and gave them the cups to carry away with them. And Anticlides the Athenian, in the sixteenth book of his Returns, speaking of Gra, who, with other kings, first led a colony into the island of Lesbos, and saying that those colonists had received an answer from the oracle, bidding them, while sailing, throw a virgin into the sea, as an offering to Neptune, proceeds as follows:—
And some people, who treat of the history and affairs of Methymna, relate a fable
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about the virgin who was thrown into the sea; and say that one of the leaders was in love with her, whose name was Enalus, and that he dived down, wishing to save the damsel; and that then both of them, being hidden by the waves, disappeared. But that in the course of time, when Methymna had now become populous, Enalus appeared again, and related what had happened, and how it had happened; and said that the damsel was still abiding among the Nereids, and that he himself had become the superintendent of Neptune's horses; but that a great wave having been cast on the shore, he had swam with it, and so come to land: and he had in his hand a goblet made of gold, of such wondrous workmanship that the golden goblets which they had, when compared with his, looked no better than brass.

And in former times the possession of drinking-cups was reckoned a very honourable thing. Accordingly, Achilles had a very superb cup as a sort of heirloom:—

  1. But, mindful of the gods, Achilles went
  2. To the rich coffer in his shady tent,
  3. (There lay the presents of the royal dame;)
  4. From thence he took a bowl of antique frame,
  5. Which never man had stain'd with ruddy wine,
  6. Nor raised in offerings to the pow'rs divine,
  7. But Peleus' son; and Peleus' son to none
  8. Had raised in offerings but to Jove alone.[*](Iliad, xvi. 225, Pope's version.)
And Priam, when offering ransom for his son, amid all his most beautiful treasures especially offers a very exquisitely wrought cup. And Jupiter himself, on the occasion of the birth of Hercules, thinks a drinking-cup a gift worthy to be given to Alcmena; which he, having likened himself to Amphitryon, presents to her:—
  1. And she received the gift, and on the bowl
  2. Admiring gazed with much delighted soul.
And Stesichorus says that the sun sails over the whole ocean in a bowl; in which also Hercules passed over the sea, on the occasion of his going to fetch the cows of Geryon. We are acquainted, too, with the cup of Bathycles the Arcadian, which Bathycles left behind him as a prize of wisdom to him who should be pronounced the best of those who were called the wise men.

And a great many people have handled the cup of Nestor;

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for many have written books about it. And drinking-cups were favourites even among the Gods; at all events—
  1. They pledged each other in their golden cups.[*](Iliad, iv. 3.)
But it is a mark of a gentleman to be moderate in his use of wine, not drinking too greedily, nor drinking large draughts without drawing one's breath, after the fashion of the Thra- cians; but to mingle conversation with his cups, as a sort of wholesome medicine.

And the ancients affixed a great value to such goblets as had any story engraved upon them; and in the art of engraving cups in this manner, a high reputation was enjoyed by Cimon and Athenocles. They used also drinking-cups inlaid with precious stones. And Menander, somewhere or other, speaks of drinking-cups turned by the turning-lathe, and chased; and Antiphanes says—

  1. And others drain with eager lips the cup,
  2. Full of the juice of ancient wine, o'ershadow'd
  3. With sparkling foam,—the golden-wrought rich cup,
  4. Which circled round they raised: one long, deep draught
  5. They drain, and raise the bottom to the skies.
And Nicomachus says to some one—
  1. O you, who . . . . . and vomit golden . . .
And Philippides says—
  1. Could you but see the well-prepared cups,
  2. All made of gold, my Trophimus; by heaven,
  3. They are magnificent! I stood amazed
  4. When I beheld them first. Then there were also
  5. Large silver cups, and jugs larger than I.
And Parmenio, in his letter to Alexander, summing up the spoils of the Persians, says,
The weight of goblets of gold is seventy-three Babylonian talents, and fifty-two mitæ.[*](The Attic talent weighed within a fraction of fifty-seven pounds and the Babylonian talent was to the Attic as seven to six; but Boeckh considers the Babylonian talent as equal to the Aeginetan, which was about eighty-two pounds and a quarter. The Attic mina was not quite a pound; the Aeginetan not quite one pound six ounces, being always one-sixteenth part of a talent.) The weight of goblets inlaid with precious stones, is fifty-six Babylonian talents, and thirty-four minæ.

And the custom was, to put the water into the cup first, and the wine afterwards. Accordingly, Xenophanes says—

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  1. And never let a man a goblet take,
  2. And first pour in the wine; but let the water
  3. Come first, and after that, then add the wine.
And Anacreon says—
  1. Bring me water -bring me wine,
  2. Quick, O boy; and bring, besides,
  3. Garlands, rich with varied flowers;
  4. And fill the cup, that I may not
  5. Engage in hopeless strife with love.
And before either of them Hesiod had said—
  1. Pour in three measures of the limpid stream,
  2. Pure from an everflowing spring; and then
  3. Add a fourth cup of sacred rosy wine.
And Theophrastus says—
The ancient fashion of the mixture of wine was quite opposite to the way in which it is managed at the present day; for they were not accustomed to pour the water on the wine, but the wine on the water, in order, when drinking, not to have their liquor too strong, and in order also, when they had drunk to satiety, to have less desire for more. And they also consumed a good deal of this liquor, mixed as it was, in the game of the cottabus.

Now of carvers of goblets the following men had a high reputation,—Athenocles, Crates, Stratonicus, Myrmecides the Milesian, Callicrates the Lacedæmonian, and Mys; by which last artist we have seen a Heraclean cup, having most beautifully wrought on it the capture of Troy, and bearing also this inscription—

  1. The sketch was by Parrhasius,—by Mys
  2. The workmanship; and now I represent
  3. The lofty Troy, which great Achilles took.

Now among the Cretans, the epithet κλεινὸς, illustrious, is often given to the objects of one's affection. And it is a matter of great desire among them to carry off beautiful boys; and among them it is considered discreditable to a beautiful boy not to have a lover. And the name given to the boys who are carried off in that manner is παρασταθέντες. And they give to the boy who has been carried off a robe, and an ox, and a drinking-cup. And the robe they wear even when they are become old, in order to show that they have been κλεινοί.

  1. You see that when men drink, they then are rich;
  2. They do whate'er they please,—they gain their actions,
  3. They're happy themselves, and they assist their friends.
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For amusing oneself with wine exalts, and cherishes, and elevates the mind, since it inflames and arouses the foul, and fills it with lofty thoughts, as Pindar says—
  1. When the sad, laborious cares
  2. Flee from the weary hearts of men,
  3. And in the wide, expansive ocean
  4. Of golden wealth we all set sail,
  5. Floating towards the treacherous shore.
  6. E'en he who is poor, is rich when he
  7. Has fill'd his soul with rosy wine;
  8. And he who's rich. . . .
And then he goes on—
  1. becomes elated
  2. Beneath the glad dominion of the vine.

There is a kind of drinking-cup also called ancyla, or curved; a kind especially useful for the play of the cottabus. Cratinus says—

  1. 'Tis death to drink of wine when water's mix'd:
  2. But she took equal shares, two choes full
  3. Of unmix'd wine, in a large ancyla:
  4. And calling on her dear Corinthian lover
  5. By name, threw in his honour a cottabus.
And Bacchylides says—
  1. When she does throw to the youths a cottabus
  2. From her ancyla, stretching her white arm forth.
And it is with reference to this ancyla that we understand the expression of Aeschylus—
  1. The cottabus of th' ancyla (ἀγκυλήτους κοττάβους).
Spears are also called ἀγκύλητα, or curved; and also μεσάγκυλα, held by a string in the middle. There is also the expression ἀπʼ ἀγκύλης, which means, from the right hand. And the cup is called ἀγκύλη, from the fact that the right hand is curved, in throwing the cottabus from it. For it was a matter to which great attention was paid by the ancients—namely, that of throwing the cottabus dexterously and gracefully. And men in general prided themselves more on their dexterity in this than in throwing the javelin skilfully. And this got its name from the manner in which the hand was brandished in throwing the cottabus, when they threw it elegantly and dexterously into the cottabium. And they also built rooms especially designed for this sport.

In Timachides there is also a kind of drinking-cup mentioned, called the æacis.

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There is another kind also, called the ἄκατος,or boat, being shaped like a boat. Epicrates says—

  1. Throw down th' acatia,
(using here the diminutive form,)
  1. and take instead
  2. The larger goblets; and the old woman lead
  3. Straight to the cup; . . . the younger maiden . . . .
  4. . . . . . . . fill it; have your oar
  5. All ready, loose the cables, bend the sails.
Among the Cyprians there is also a kind of cup called the aotus, as Pamphilus tells us: and Philetas says, this is a cup which has no ears (ὤτους).

There is also a kind of cup called aroclum, which is mentioned by Nicander the Colophonian.

The cup called ἄλεισον, is the same as that called δέπας. Homer, in his Odyssey, speaking of Pisistratus, says—

  1. In a rich golden cup he pour'd the wine;[*](Odyss. iii. 40.)
and proceeding, he says, in the same manner—
  1. To each a portion of the feast he bore,
  2. And held the golden goblet (ἄλεισον) foaming o'er;
and presently afterwards he says—
  1. And gave the goblet (δέπας) to Ulysses' son.
And, accordingly, Asclepiades the Myrlean says—
The δέπας appears to me to have been much of the same shape as the φιάλη. For men make libations with it. Accordingly, Homer says,—
  1. The cup which Peleus' son
  2. Had raised in offerings to Jove alone.
And it is called δέπας, either because it is given to all (δίδοται πᾶσι) who wish to make libations, or who wish to drink; or because it has two ears (δύο ὦπας), for ὦπες must be the same as ὦτα. And it has the name of ἄλεισον, either from being very smooth (ἄγαν λεῖον), or because the liquor is collected (ἁλίζεται) in it. And that it had two ears is plain—
  1. High in his hands he rear'd the golden bowl
  2. By both its ears.
But when he applies the word ἀμφικύπελλον to it, he means nothing more than ἀμφίκυρτον curved on both sides.
But Silenus interprets the word ἀμφικύπελλον to mean devoid of ears, while others say that ἀμφὶ here is equivalent to περὶ, and that it means a cup which you may put to your mouth all round, at any part of it. But Parthenius says that it
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means that the ears are curved (περικεκυρτῶσθαι), for that is synonymous with κυρτός. But Anicetus says that the κύπελλον is a kind of cup (φίαλη), and that the word ἀμφικύπελλον is equivalent to ὑπερφίαλον, that is to say, superb and magnificent; unless, indeed, any one chooses to interpret the word ἄλεισον as something very highly ornamented, and therefore not at all smooth (α,λεῖον). And Pisander says, Hercules gave Telamon a cup (ἄλεισον) as the prize of his preeminent valour in the expedition against Troy.

There is also a kind of cup called the horn of Amalthea, and another called ἐνιαυτὸς, or the year.

There is also a kind of cup made of wood, called ἄμφωτις, which Philetas says that the countrymen use, who milk their cattle into it, and then drink the milk.

There is also a kind of drinking called ἄμυστις, when any one drinks a long draught without taking breath and without winking (μὴ μύσαντα). And they give the same name to the goblets from which it is easy to drink in this manner. And they also use a verb (ἐκμυστίζω) for drinking without taking breath, as Plato the comic poet says—

  1. And opening a fair cask of fragrant wine,
  2. He pours it straight into the hollow cup;
  3. And then he drank it sheer and not disturb'd,
  4. And drain'd it at one draught (ἐξεμύστισε).
And they also drank the ἄμυστις draught to an accompaniment of music; the melody being measured out according to the quickness of the time; as Ameipsias says—
  1. Gentle musician, let that dulcet strain
  2. Proceed; and, while I drink this luscious draught,
  3. Play you a tune; then you shall drink yourself.
  4. For mortal man has no great wants on earth,
  5. Except to love and eat;-and you're too stingy.

There is also a kind of cup called Antigonis, from the name of king Antigonus: like the Seleucis from kin Seleucus; and the Prusis, from king Prusias.

There is also a kind of cup known in Crete, and called anaphæa, which they use for hot drinks.

There is also a kind of cup called aryballus. This kind of cup is wider at the bottom, and contracted at to like a purse when it is drawn together; and, indeed, some people call purses ἀρύβαλλοι, from their resemblance to this kind of cup. Aristophanes says, in his Knights—

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  1. He pour'd upon his head
  2. Ambrosia from a holy cup (ἀρύβαλλος).
And the aryballus is not very different from the arystichus, being derived from the verbs ἀρύτω and βάλλω; they also call a jug ἄρυστις. Sophocles says—
  1. You are most accursed of all women,
  2. Who come to supper with your ἀρύστεις.
There is also a city of the Ionians called arystis.

There is another kind of cup called argyris, which is not necessarily made of silver. Anaxilas says—

  1. And drinking out of golden argyrides.

Then batiacium, labronius, tragelaphus, pristis, are all names of different kinds of cups. The batiaca is a Persian goblet. And among the letters of the great Alexander to the Satraps of Asia there is inserted one letter in which the following passage occurs:—

There are three batiacæ of silver gilt, and a hundred and seventy-six silver condya; and of these last thirty-three are gilt. There is also one silver tigisites, and thirty-two silver-gilt mystri. There is one silver vegetable dish, and one highly wrought wine-stand of silver ornamented in a barbaric style. There are other small cups from every country, and of every kind of fashion, to the number of twenty-nine: and other small-sized cups called rhyta, adbatia, and Lycurgi, all gilt, and incense-burners and spoons.

There is a cup used by the Alexandrians named bessa, wider in the lower parts, and narrow above.

There is also a kind of cup called baucalis: and this, too, is chiefly used in Alexandria, as Sopater the parodist says—

  1. A baucalis, with four rings mark'd on it.
And in another passage he says—
  1. 'Tis sweet for men to drink (καταβαυκαλίσαι)
  2. Cups of the juice by bees afforded,
  3. At early dawn, when parch'd by thirst,
  4. Caused by too much wine overnight.
And the men in Alexandria, it is said, have a way of working crystal, forming it often into various shapes of goblets, and imitating in this material every sort of earthenware cup which is imported from any possible country. And they say that Lysippus the statuary, wishing to gratify Cassander, when he was founding the colony of Cassandria, and when he
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conceived the ambition of inventing some peculiar kind of utensil in earthenware, on account of the extraordinary quantity of Mendean wine which was exported from the city, took a great deal of pains with that study, and brought Cassander a great number of cups of every imaginable fashion, all made of earthenware, and taking a part of the pattern of each, thus made one goblet of a design of his own.

There is also a kind of cup called bicus. Xenophon, in the first book of his Anabasis, says:—"And Cyrus sent him a number of goblets (βίκους) of wine half full; and it is a cup of a flat shallow shape, like a φιάλη, according to the description given of it by Pollux the Parian.

There is another kind of cup called the bombylius; a sort of Rhodian Thericlean cup; concerning the shape of which Socrates says,—

Those who drink out of the phiale as much as they please will very soon give over; but those who drink out of a bombylius drink by small drops.
There is also an animal of the same name.

There is also a kind of drinking-cup called the bromias, in form like the larger kind of scyphus.

There is another kind called the lettered cup, having writing engraved round it. Alexis says—

  1. A. Shall I describe to you the appearance first
  2. O' the cup you speak of? Know, then, it was round;
  3. Exceeding small; old, sadly broken too
  4. About the ears; and all around the brim
  5. Were carved letters.
  6. B. Were there those nineteen
  7. Engraved in gold,—To Jupiter the Saviour?[*](The Greek has ἕνδεκα, eleven, being the number of letters in διὸς σωτῆρος. I have altered the number to make it correspond to the letters in To Jupiter the Saviour. )
  8. A. Those, and no others.
And we have seen a lettered cup of this kind lying at Capua in Campania, in the temple of Diana; covered with writing taken from the poems of Homer, and beautifully engraved; having the verses inlaid in golden characters, like the drinking-cup of Nestor. And Achæus the tragic poet, in his Omphale, himself also represents the Satyrs speaking in the following manner about a lettered drinking-cup—
  1. And the god's cup long since has call'd me,
  2. Showing this writing,—delta, then iota,
  3. The third letter was omega, then nu,
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  5. Then u came next, and after that a sigma
  6. And omicron were not deficient.
But in this passage we want the final v which ought to have ended the word. Since all the ancients used the omicron not only with the power which it has now, but also when they meant to indicate the diphthong ει they wrote it by o only. And they did the same when they wished to write the vowel ε, whether it is sounded by itself, or when they wish to indicate the diphthong ει by the addition of iota. And accordingly, in the above-cited verses, the Satyrs wrote the final syllable of the genitive case διονύσου with ο only; as being short to engrave: so that we are in these lines to understand the final upsilon, so as to make the whole word διονύσου. And the Dorians called sigma san; for the musicians, as Aristoxenus often tells us, used to avoid saying sigma whenever they could, because it was a hard-sounding letter, and unsuited to the flute; but they were fond of using the letter rho, because of the ease of pronouncing it. And the horses which have the letter ς branded on them, they call samphoras. Aristophanes, in his Clouds, says—
  1. Neither you, nor the carriage-horse, nor samphoras.
And Pindar says—
  1. Before long series of songs were heard,
  2. And the ill-sounding san from out men's mouths.
And Eubulus also, in his Neottis, speaks of a lettered cup as being called by that identical name, saying—
  1. A. Above all things I hate a letter'd cup,
  2. Since he, my son, the time he went away,
  3. Had such a cup with him.
  4. B. There are many like it.