Quaestiones Convivales
Plutarch
Plutarch. Plutarch's Morals, Vol. III. Goodwin, William W., editor; Creech, Thomas, translator. Boston: Little, Brown, and Company; Cambridge: Press of John Wilson and Son, 1874.
When all the company requested and earnestly begged it of him; first of all (says he), the time and manner of the greatest and most holy solemnity of the Jews is exactly agreeable to the holy rites of Bacchus; for that which
they call the Fast they celebrate in the midst of the vintage, furnishing their tables with all sorts of fruits, while they sit under tabernacles made of vines and ivy; and the day which immediately goes before this they call the day of Tabernacles. Within a few days after they celebrate another feast, not darkly but openly, dedicated to Bacchus, for they have a feast amongst them called Kradephoria, from carrying palm-trees, and Thyrsophoria, when they enter into the temple carrying thyrsi. What they do within I know not; but it is very probable that they perform the rites of Bacchus. First they have little trumpets, such as the Grecians used to have at their Bacchanalia to call upon their Gods withal. Others go before them playing upon harps, which they call Levites, whether so named from Lusius or Evius,—either word agrees with Bacchus. And I suppose that their Sabbaths have some relation to Bacchus; for even at this day many call the Bacchi by the name of Sabbi, and they make use of that word at the celebration of Bacchus’s orgies. And this may be made appear out of Demosthenes and Menander. Nor would it be absurd, were any one to say that the name Sabbath was imposed upon this feast from the agitation and excitement (σόβησις) which the priests of Bacchus indulged in. The Jews themselves testify no less; for when they keep the Sabbath, they invite one another to drink till they are drunk; or if they chance to be hindered by some more weighty business, it is the fashion at least to taste the wine. Some perhaps may surmise that these are mere conjectures. But there are other arguments which will clearly evince the truth of what I assert. The first may be drawn from their High-priest, who on holidays enters their temple with his mitre on, arrayed in a skin of a hind embroidered with gold, wearing buskins, and a coat hanging down to his ankles; besides, he has a great many little bells hanging at his garment which make a noise as he walks the streets. So in the nightly ceremonies of Bacchus (as the fashion is amongst us), they make use of musical instruments, and call the God’s nurses χαλκοδρυσταί. High up on the wall of their temple is a representation of the thyrsus and timbrels, which surely can belong to no other God than Bacchus. Moreover they are forbidden the use of honey in their sacrifices, because they suppose that a mixture of honey corrupts and deads the wine. And honey was used for sacrificing in former days, and with it the ancients were wont to make themselves drunk, before the vine was known. And at this day barbarous people who want wine drink metheglin, allaying the sweetness of the honey by bitter roots, much of the taste of our wine. The Greeks offered to their Gods these sober offerings or honey-offerings, as they called them, because that honey was of a nature quite contrary to wine. But this is no inconsiderable argument that Bacchus was worshipped by the Jews, in that, amongst other kinds of punishment, that was most remarkably odious by which malefactors were forbid the use of wine for so long a time as the judge was pleased to prescribe. Those thus punished---[*](The remainder of the Fourth Book is wanting.)---
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What is your opinion at present, Sossius Senecio, of the pleasures of mind and body, is not evident to me;
But formerly, I am sure, you did not lean to nor like their opinion, who will not allow the soul to have any proper agreeable pleasure, which without respect to the body she desires for herself; but define that she lives as a form assistant to the body, is directed by the passions of it, and, as that is affected, is either pleased or grieved, or, like a looking-glass, only receives the images of those sensible impressions made upon the body. This sordid and debas ing opinion is especially in this way confuted; for at a feast, the genteel well-bred men after supper fall upon some topic or another as second course, and cheer one another by their pleasant talk. Now the body hath very little or no share in this; which evidently proves that this is a particular banquet for the soul, and that those pleasures are peculiar to her, and different from those which pass to her through the body and are vitiated thereby. Now, as nurses, when they feed children, taste a little of their pap, and have but small pleasure therefrom, but when the infants are satisfied, leave crying, and go to sleep, then being at their own disposal, they take such meat and drink as is agreeable to their own bodies; thus the soul partakes of the pleasures that arise from eating and drinking, like a nurse, being subservient to the appetites of the body, kindly yielding to its necessities and wants, and calming its desires; but when that is satisfied and at rest, then being free from her business and servile employment, she seeks her own proper pleasures, revels on discourse, problems, stories, curious questions, or subtle resolutions. Nay, what shall a man say, when he sees the dull unlearned fellows after supper minding such pleasures as have not the least relation to the body? They tell tales, propose riddles, or set one another a guessing at names, comprised and hid under such and such numbers. Thus mimics, drolls, Menander and his actors were admitted into banquets, not because they can free the eye from any pain, or raise any tickling motion in the flesh; but because the soul, being naturally philosophical and a lover of instruction, covets its own proper pleasure and satisfaction, when it is free from the trouble of looking after the body.Because us two a thousand things divide, Vast shady hills, and the rough ocean’s tide. [*](Il. I. 156.)
OF this we discoursed in your company at Athens, when Strato the comedian (for he was a man of great credit) flourished. For being entertained at supper by Boethus the Epicurean, with a great many more of the sect, as it usually happens when learned and inquisitive men meet together, the remembrance of the comedy led us to this enquiry,—Why we are disturbed at the real voices of men, either angry, pensive, or afraid, and yet are delighted to hear others represent them, and imitate their gestures, speeches, and exclamations. Every one in the company gave almost the same reason. For they said, he that only represents excels him that really feels, inasmuch as he doth not suffer the misfortunes; which we knowing are pleased and delighted on that account.
But I, though it was not properly my talent, said that we, being by nature rational and lovers of ingenuity, are
delighted with and admire every thing that is artificially and ingeniously contrived. For as a bee, naturally loving sweet things, seeks after and flies to any thing that has any mixture of honey in it; so man, naturally loving ingenuity and elegancy, is very much inclined to embrace and highly approve every word or action that is seasoned with wit and judgment. Thus, if any one offers a child a piece of bread, and at the same time a little dog or ox made in paste, we shall see the boy run eagerly to the latter; so likewise if any one offers him silver in the lump, and another a beast or a cup of the same metal, he will rather choose that in which he sees a mixture of art and reason. Upon the same account it is that children are much in love with riddles, and such fooleries as are difficult and intricate; for whatever is curious and subtle doth attract and allure human nature, as antecedently to all instruction agreeable and proper to it. And therefore, because he that is really affected with grief or anger presents us with nothing but the common bare passion, but in the imitation some dexterity and persuasiveness appears, we are naturally inclined to be disturbed at the former, whilst the latter delights us. It is unpleasant to see a sick man, or one that is at his last gasp; yet with content we can look upon the picture of Philoctetes, or the statue of Jocasta, in whose face it is commonly said that the workmen mixed silver, so that the brass might represent the face and color of one ready to faint and yield up the ghost. And this, said I, the Cyrenaics may use as a strong argument against you Epicureans, that all the sense of pleasure which arises from the working of any object on the ear or eye is not in those organs, but in the intellect itself. Thus the continual cackling of a hen or cawing of a crow is very ungrateful and disturbing; yet he that imitates those noises well pleases the hearers. Thus to behold a consumptive man is no delightful spectacle; yet with pleasure we can view the pictures and statues of such persons, because the very imitating hath something in it very agreeable to the mind, which allures and captivates its faculties. For upon what account, for God’s sake, from what external impression upon our organ, should men be moved to admire Parmeno’s sow so much as to pass it into a proverb? Yet it is reported, that Parmeno being very famous for imitating the grunting of a pig, some endeavored to rival and outdo him. And when the hearers, being prejudiced, cried out, Very well indeed, but nothing comparable to Parmeno’s sow; one took a pig under his arm and came upon the stage. And when, though they heard the very pig, they still continued, This is nothing comparable to Parmeno’s sow; he threw his pig amongst them, to show that they judged according to opinion and not truth. And hence it is very evident, that like motions of the sense do not always raise like affections in the mind, when there is not an opinion that the thing done was not neatly and ingeniously performed.