Aratus

For as soon as they had entered the city, the common soldiers had scattered themselves among the houses, jostling and fighting with one another over the booty, while the leaders and captains were going about and seizing the wives and daughters of the Pellenians, on whose heads they put their own helmets, that no one else might seize them, but that the helmet might show to whom each woman belonged. But while they were in this situation and thus engaged, word was suddenly brought them that Aratus had attacked. Dismay fell upon them, as was natural amid such disorder, and before all had learned of the danger the foremost of them, engaging with the Achaeans at the gates and in the suburbs, were already conquered and in full flight, and being driven in headlong rout, they filled with dismay those who were collecting together and coming to their aid.

In the midst of this confusion, one of the captive women, daughter of Epigethes, a man of distinction, and herself conspicuous for beauty and stateliness of person, chanced to be sitting in the sanctuary of Artemis, where she had been placed by the captain of a picked corps, who had seized her for his prize and set his three-crested helmet upon her head. But suddenly she ran forth to view the tumult,

and as she stood in front of the gate of the sanctuary and looked down upon the combatants from on high, with the three-crested helmet on her head, she seemed to the citizens themselves a vision of more than human majesty, while the enemy thought they saw an apparition from heaven and were struck with amazement and terror, so that not a man of them thought of defending himself. But the Pellenians themselves tell us that the image of the goddess usually stands untouched, and that when it is removed by the priestess and carried forth from the temple, no man looks upon it, but all turn their gaze away; for not only to mankind is it a grievous and terrible sight, but trees also, past which it may be carried, become barren and cast their fruit.

This image, then, they say, the priestess carried forth from the temple at this time, and by ever turning it in the faces of the Aetolians robbed them of their senses and took away their reason. Aratus, however, in his Commentaries, makes no mention of such a thing, but says that after routing the Aetolians and bursting into the city with them as they fled, he drove them out by main force, and slew seven hundred of them. The action was extolled as among the greatest exploits, and Timanthes the painter made a picture of the battle which in its composition vividly portrayed the event.