Antony

Plutarch

Plutarch. Plutarch's Lives, Vol. IX. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1920.

for it was uncertain, he said, whether they would be doing this on the morrow, or whether they would be serving other masters, while he himself would be lying dead, a mummy and a nothing. Then, seeing that his friends were weeping at these words, he declared that he would not lead them out to battle, since from it he sought an honourable death for himself rather than safety and victory.

During this night, it is said, about the middle of it, while the city was quiet and depressed through fear and expectation of what was coming, suddenly certain harmonious sounds from all sorts of instruments were heard, and the shouting of a throng, accompanied by cries of Bacchic revelry and satyric leapings, as if a troop of revellers, making a great tumult, were going forth from the city;

and their course seemed to lie about through the middle of the city toward the outer gate which faced the enemy, at which point the tumult became loudest and then dashed out. Those who sought the meaning of the sign were of the opinion that the god to whom Antony always most likened and attached himself was now deserting him.

At daybreak,[*](Aug. 1, 30 B.C.) Antony in person posted his infantry on the hills in front of the city, and watched his ships as they put out and attacked those of the enemy; and as he expected to see something great accomplished by them, he remained quiet. But the crews of his ships, as soon as they were near, saluted Caesar’s crews with their oars, and on their returning the salute changed sides, and so all the ships, now united into one fleet, sailed up towards the city prows on.