Agis and Cleomenes

Plutarch

Plutarch. Plutarch's Lives, Vol. X. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1921.

After this, to begin with, Cleomenes himself placed his property in the common stock, as did Megistonoüs his step-father and every one of his friends besides; next, all the rest of the citizens did the same, and the land was parcelled out. Cleomenes also assigned a portion of land to each man who had been exiled by him, and promised to bring them all home after matters had become quiet.

Then he filled up the body of citizens with the most promising of the free provincials, and thus raised a body of four thousand men-at-arms, whom he taught to use a long pike, held in both hands, instead of a short spear, and to carry their shields by a strap instead of by a fixed handle. Next he devoted himself to the training of the young men and to the agoge, or ancient discipline, most of the details of which Sphaerus, who was then in Sparta, helped him in arranging. And quickly was the proper system of bodily training and public messes resumed, a few out of necessity, but most with a willing spirit, subjecting themselves to the old Spartan regime with all its simplicity.

And yet, desiring to give the name of absolute power a less offensive sound, he associated with himself in royal power his brother Eucleidas. And this was the only time when the Spartans had two kings from the same house.

Learning that Aratus and the Achaeans believed that this revolution had jeopardized his position, and therefore did not think that he would venture forth outside of Sparta, or leave the city while it was still in the suspense of so great an agitation, he thought it a fine and helpful thing to make a display of the ready zeal of his army to his enemies.

Accordingly, he invaded the territory of Megalopolis, collected large booty, and devastated the country far and wide. And finally arresting a company of actors who were passing through the country from Messené, he built a theatre in the enemy’s territory, instituted a contest for a prize of forty minae, and sat spectator for a whole day; not that he felt the need of a spectacle, but in exultant mockery, as it were, of his enemies, and to show to the world by his contempt for them that he held complete control of affairs, with something, as it were, to spare.

For at other times, the Spartan alone of Greek or Macedonian armies had no players in attendance, no jugglers, no dancing-girls, no harpists, but was free from every kind of licence, scurrility, and general festivity; while for the most part the young men practised themselves and the elder men taught them, and for amusement, when their work was over, they had recourse to their wonted pleasantries and the interchange of Spartan witticisms. Of what great advantage this sort of amusement is, I have told in my Life of Lycurgus.[*](Chapter xii.)