Caesar

Plutarch

Plutarch. Plutarch's Lives, Vol. VII. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1919.

There were two parties in the city, that of Sulla, which had been all powerful since his day, and that of Marius, which at that time was in an altogether lowly state, being cowed and scattered. This party Caesar wished to revive and attach to himself, and therefore, when the ambitious efforts of his aedileship were at their height, he had images of Marius secretly made, together with trophy-bearing Victories, and these he ordered to be carried by night and set up on the Capitol.

At day-break those who beheld all these objects glittering with gold and fashioned with the most exquisite art (and they bore inscriptions setting forth the Cimbrian successes of Marius[*](See the Marius, chapters xi.-xxii.)) were amazed at the daring of the man who had set them up (for it was evident who had done it), and the report of it quickly spreading brought everybody together for the sight.

But some cried out that Caesar was scheming to usurp sole power in the state when he thus revived honours which had been buried by laws and decrees, and that this proceeding was a test of the people, whose feelings towards him he had previously softened, to see whether they had been made docile by his ambitious displays and would permit him to amuse himself with such innovations. The partisans of Marius, however, encouraged one another and showed themselves on a sudden in amazing numbers, and filled the Capitol with their applause.