Alexander

To Philip, however, who had just taken Potidaea, there came three messages at the same time: the first that Parmenio had conquered the Illyrians in a great battle, the second that his race-horse had won a victory at the Olympic games, while a third announced the birth of Alexander. These things delighted him, of course, and the seers raised his spirits still higher by declaring that the son whose birth coincided with three victories would be always victorious.

The outward appearance of Alexander is best represented by the statues of him which Lysippus made, and it was by this artist alone that Alexander himself thought it fit that he should be modelled. For those peculiarities which many of his successors and friends afterwards tried to imitate, namely, the poise of the neck, which was bent slightly to the left, and the melting glance of his eyes, this artist has accurately observed.

Apelles, however, in painting him as wielder of the thunderbolt, did not reproduce his complexion, but made it too dark and swarthy. Whereas he was of a fair colour, as they say, and his fairness passed into ruddiness on his breast particularly, and in his face. Moreover, that a very pleasant odour exhaled from his skin and that there was a fragrance about his mouth and all his flesh, so that his garments were filled with it, this we have read in the Memoirs of Aristoxenus.

Now, the cause of this, perhaps, was the temperament of his body, which was a very warm and fiery one; for fragrance is generated, as Theophrastus thinks, where moist humours are acted upon by heat. Wherefore the dry and parched regions of the world produce the most and best spices; for the sun draws away the moisture which, like material of corruption, abounds in vegetable bodies.