Alcibiades

Plutarch

Plutarch. Plutarch's Lives, Vol. IV. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1916.

Duris the Samian, who claims that he was a descendant of Alcibiades, gives some additional details. He says that the oarsmen of Alcibiades rowed to the music of a flute blown by Chrysogonus the Pythian victor; that they kept time to a rhythmic call from the lips of Callipides the tragic actor; that both these artists were arrayed in the long tunics, flowing robes, and other adornment of their profession; and that the commander’s ship put into harbors with a sail of purple hue, as though, after a drinking bout, he were off on a revel.

But neither Theopompus, nor Ephorus, nor Xenophon mentions these things, nor is it likely that Alcibiades put on such airs for the Athenians, to whom he was returning after he had suffered exile and many great adversities. Nay, he was in actual fear as he put into the harbor, and once in, he did not leave his trireme until, as he stood on deck, he caught sight of his cousin Euryptolemus on shore, with many other friends and kinsmen, and heard their cries of welcome.

When he landed, however, people did not deign so much as to look at the other generals whom they met, but ran in throngs to Alcibiades with shouts of welcome, escorting him on his way, and putting wreaths on his head as they could get to him, while those who could not come to him for the throng, gazed at him from afar, the elderly men pointing him out to the young. Much sorrow, too, was mingled with the city’s joy, as men called to mind their former misfortunes and compared them with their present good fortune, counting it certain that they had neither lost Sicily,