Tyrannicida

Then he looks for a sword; he has always gone unarmed himself, trusting all to his son. The sword is not wanting; it has been waiting for him all this time; I left it ready for the deed that was to follow. He draws it from the wound and speaks: ‘Sword, that but a moment past hast slain me, complete thy work: comfort the stricken father, aid his aged hand; dispatch, slay, make an end of the tyrant and his grief. Would that I had met thee first, that my blood had been shed before his! I could but have died a tyrant’s death, and should have left an avenger behind me. And now I die childless: I have not so much as a murderer at my need.’ Even as he speaks, with trembling hand he plunges the sword into his breast: he is in haste to die; but that feeble hand lacks strength to do its dread office.

Is he punished? Are these wounds? Is this death? A tyrant’s death? Is there reward for this?

The closing scene you have all witnessed: the son—no mean antagonist—prostrate in death; the father fallen upon him; blood mingling with blood, the drink-offering of Victory and Freedom; and in the midst my sword, that wrought all; judge by its presence there, whether the weapon was unworthy of its master, whether it did him faithful service. Had all been done by my hand, it had been little; the strangeness of the deed is its glory. The tyranny was overthrown by me, and no other; but many actors had their part to play in the drama. The first part was mine; the second was the son’s; the third the tyrant’s; and my sword was never absent from the stage.