Quaestiones Convivales

Plutarch

Plutarch. Plutarch's Morals, Vol. III. Goodwin, William W., editor; Creech, Thomas, translator. Boston: Little, Brown, and Company; Cambridge: Press of John Wilson and Son, 1874.

WELL then, said my father, since we have fallen upon Aristotle, I will endeavor to propose something of my own concerning those that are half drunk; for, in my mind, though he was a very acute man, he is not accurate enough in such matters. They usually say, I think, that a sober man’s understanding apprehends things right and judges well; the sense of one quite drunk is weak and enfeebled; but of them that are half drunk the fancy is vigorous and the understanding weakened, and therefore, following their own fancies, they judge, but judge ill. But pray, sirs, what is your opinion in these matters?

This reason, I replied, would satisfy me upon a private disquisition; but if you will have my own sentiments, let us first consider, whether this difference doth not proceed from the different temper of the body. For of those that are only half drunk, the mind alone is disturbed, but the body not being quite overwhelmed is yet able to obey its motions; but when it is too much oppressed and the wine has overpowered it, it betrays and frustrates the motions of the mind, for men in such a condition never go so far as action. But those that are half drunk, having a body serviceable to the absurd motions of the mind, are rather to be thought to have greater ability to comply with those they have, than to have worse inclinations than the others. Now if, proceeding on another principle, we consider the strength of the wine itself, nothing hinders but that this may be different and changeable, according to the

quantity that is drunk. As fire, when moderate, hardens a piece of clay, but if very strong, makes it brittle and crumble into pieces; and the heat of the spring fires our blood with fevers, but as the summer comes on. the disease usually abates; what hinders then but that the mind, being naturally raised by the power of the wine, when it is come to a pitch, should by pouring on more be weakened again, and its force abated? Thus hellebore, before it purges, disturbs the body; but if too small a dose be given, it disturbs only and purges not at all; and some taking too little of an opiate are more restless than before; and some taking too much sleep well. Besides, it is probable that this disturbance into which those that are half drunk are put, when it comes to a pitch, conduces to that decay. For a great quantity being taken inflames the body and consumes the frenzy of the mind; as a mournful song and melancholy music at a funeral raises grief at first and forces tears, but as it continues, by little and little it takes away all dismal apprehensions and consumes our sorrows. Thus wine, after it hath heated and disturbed, calms the mind again and quiets the frenzy; and when men are dead drunk, their passions are at rest.

WHEN I had said this, Aristo cried out aloud, as his manner was, and said: I see well now that there is opened a return again of measures unto feasts and banquets; which measures, although they are most just and democratical,

have for a long time (I wot not by what sober reason) been banished from thence, as by a tyrant. For, as they who profess a canonical harmony in sounding of the harp do hold and say, that the sesquialteral proportion produceth the symphony diapente (διὰ πέντε), the double proportion the diapason (διὰ πασῶν), and that the accord called diatessaron (διὰ τεσσάρων), which is of all most obscure and dull, consisteth in the epitrite proportion; even so they that make profession of skill in the harmonies of Bacchus have observed, that three symphonies or accords there are between wine and water, namely, diapente, diatrion (διὰ τριῶν), and diatessaron; and so they say and sing,—Drink either five or three, but not four. For the fifth has the sesquialteral proportion, three cups of water being mingled with two of wine; the third has the double proportion, two cups of water being put to one of wine; but the fourth answereth to the epitrite proportion of three parts of water poured into one of wine. Now this last proportion may be fit for some grave magistrates sitting in the council-hall, or for logicians who pull up their brows when they are busy in watching the unfolding of their arguments; for surely it is a mixture sober and weak enough. As for the other twain; that medley which carrieth the proportion of two for one bringeth in that turbulent tone of those who are half-drunk,
Which stirs the heart-strings never moved before;
for it suffereth a man neither to be fully sober, nor yet to drench himself so deep in wine as to be altogether witless and past his sense; but the other, standing upon the proportion of three to two, is of all the most musical accord, causing a man to sleep peaceably and forget all cares, and, like the corn-field which Hesiod speaks of,
  • Which doth from man all curses drive,
  • And children cause to rest and thrive,
    • stilling and appeasing all proud and disordered passions
    within the heart, and inducing instead of them a peaceable calm and tranquillity.

    These speeches of Aristo no one there would contradict, for it was well known that he spoke in jest. But I willed him to take a cup, and, as if it were a harp, to set and tune it to that accord and harmony which he so highly praised. Then came a boy close unto him, and offered him strong wine; but he refused it, saying with laughter, that his music consisted in theory, and not in practice of the instrument. Then my father added to what had been said, that the ancient poets gave two nurses to Jupiter, namely, Ite and Adrastea; one to Juno, Euboea; two, moreover, to Apollo, Alethea and Corythalea; while they gave many more to Bacchus. For, as it seemed to him, Bacchus was nursed and suckled by many Nymphs, because he had need of many measures of water (νύμφαι), to make him more tame, gentle, witty, and wise.