Pompey

At the outset, too, he had a countenance which helped him in no small degree to win the favour of the people, and which pleaded for him before he spoke. For even his boyish loveliness had a gentle dignity about it, and in the prime and flower of his youthful beauty there was at once manifest the majesty and kingliness of his nature. His hair was inclined to lift itself slightly from his forehead, and this, with a graceful contour of face about the eyes, produced a resemblance, more talked about than actually apparent, to the portrait statues of King Alexander.

Wherefore, since many also applied the name to him in his earlier years, Pompey did not decline it, so that presently some called him Alexander in derision. Hence, too, Lucius Philippus, a man of consular rank, when pleading in his behalf, said that he was doing nothing strange if, being Philip, he loved Alexander. We are told that Flora the courtesan, when she was now quite old, always took delight in telling about her former intimacy with Pompey, saying that she never left his embraces without bearing the marks of his teeth.

Furthermore, Flora would tell how Geminius, one of Pompey’s companions, fell in love with her and annoyed her greatly by his attentions; and when she declared that she could not consent to his wishes because of Pompey, Geminius laid the matter before Pompey. Pompey, accordingly, turned her over to Geminius, but never afterwards had any thing at all to do with her himself, although he was thought to be enamoured of her; and she herself did not take this treatment as a mere courtesan would, but was sick for a long time with grief and longing