Cimon

Plutarch

Plutarch. Plutarch's Lives, Vol. II. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1914.

For the Athenians had once received an oracle bidding them bring back the bones of Theseus to the city and honor him as became a hero, but they knew not where he lay buried, since the Scyrians would not admit the truth of the story, nor permit any search to be made. Now, however, Cimon set to work with great ardour, discovered at last the hallowed spot, had the bones bestowed in his own trireme, and with general pomp and show brought them back to the hero’s own country after an absence of about four hundred years. This was the chief reason why the people took kindly to him.

But they also cherished in kindly remembrance of him that decision of his in the tragic contests which became so famous. When Sophocles, still a young man, entered the lists with his first plays, Apsephion the Archon, seeing that the spirit of rivalry and partisanship ran high among the spectators, did not appoint the judges of the contest as usual by lot, but when Cimon and his fellow-generals advanced into the theater and made the customary libation to the god, he would not suffer them to depart, but forced them to take the oath and sit as judges, being ten in all, one from each tribe.

So, then, the contest, even because of the unusual dignity of the judges, was more animated than ever before. But Sophocles came off victorious and it is said that Aeschylus, in great distress and indignation thereat, lingered only a little while at Athens, and then went off in anger to Sicily. There he died also, and is buried near Gela.

Ion says that, coming from Chios to Athens as a mere stripling, he was once a fellow-guest with Cimon at a dinner given by Laomedon, and that over the wine the hero was invited to sing, and did sing very agreeably, and was praised by the guests as a cleverer man than Themistocles. That hero, they said, declared that he had not learned to sing, nor even to play the lyre, but knew how to make a city great and rich.[*]( Cf. Plut. Them. 2.3.)

Next, Ion says, as was natural over the cups, the conversation drifted to the exploits of Cimon, and as his greatest deeds were being recounted, the hero himself dwelt at length on one particular stratagem which he thought his shrewdest. Once, he said, when the Athenians and their allies had taken many barbarian prisoners at Sestos and Byzantium and turned them over to him for distribution, he put into one lot the persons of the captives, and into another the rich adornments of their bodies, and his distribution was blamed as unequal.