Cimon

Plutarch

Plutarch. Plutarch's Lives, Vol. II. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1914.

Now Polygnotus was not a mere artisan, and did not paint the stoa for a contract price, but gratis, out of zeal for the welfare of the city, as the historians relate, and as Melanthius the poet testifies after this fashion:—

  1. He at his own lavish outlay the gods’ great fanes, and the market
  2. Named Cecropia, adorned; demigods’ valor his theme.

Still, there are some who say that Elpinice did not live with Cimon in secret intercourse, but openly rather, as his wedded wife, because, on account of her poverty, she could not get a husband worthy of her high lineage; but that when Callias, a wealthy Athenian, fell in love with her, and offered to pay into the state treasury the fine which had been imposed upon her father, she consented herself, and Cimon freely gave Elpinice to Callias to wife.

However, it is perfectly apparent that Cimon was given to the love of women. Asteria, of a Salaminian family, and a certain Mnestra are mentioned by the poet Melanthius, in a sportive elegy addressed to Cimon, as wooed and won by him.

And it is clear that he was even too passionately attached to his lawful wife, Isodice, the daughter of Euryptolemus and grand-daughter of Megacles, and that he was too sorely afflicted at her death, if we may judge from the elegy addressed to him for the mitigation of his grief. This was composed by the naturalist Archelaus, as Panaetius the philosopher thinks, and his conjecture is chronologically possible.