Cimon

While he was still a youth he was accused of improper intercourse with his sister. And indeed in other cases too they say that Elpinice was not very decorous, but that she had improper relations also with Polygnotus the painter, and that it was for this reason that, in the Peisianacteum, as it was then called, but now the Painted Colonnade, when he was painting the Trojan women, he made the features of Laodice a portrait of Elpinice.

Now Polygnotus was not a mere artisan, and did not paint the stoa for a contract price, but gratis, out of zeal for the welfare of the city, as the historians relate, and as Melanthius the poet testifies after this fashion:—

1. He at his own lavish outlay the gods’ great fanes, and the market
2. Named Cecropia, adorned; demigods’ valor his theme.

Still, there are some who say that Elpinice did not live with Cimon in secret intercourse, but openly rather, as his wedded wife, because, on account of her poverty, she could not get a husband worthy of her high lineage; but that when Callias, a wealthy Athenian, fell in love with her, and offered to pay into the state treasury the fine which had been imposed upon her father, she consented herself, and Cimon freely gave Elpinice to Callias to wife.

However, it is perfectly apparent that Cimon was given to the love of women. Asteria, of a Salaminian family, and a certain Mnestra are mentioned by the poet Melanthius, in a sportive elegy addressed to Cimon, as wooed and won by him.