Aristides

Good men wage no savage and relentless war against the gifts of friends, but while they look upon gifts taken to be stored away and increase the receiver’s wealth as ignoble and mean, they refuse none which promote an unselfish and splendid munificence. However, as regards the tripods, Panaetius tries to show that Demetrius was deceived by identity of name.

From the Persian wars, he says, down to the end of the Peloponnesian war, only two Aristides are recorded as victorious choregi, and neither of them is identical with the son of Lysimachus. One was the son of Xenophilus, and the other lived long afterwards, as is proved by the inscription itself, which is written in the character used after Eucleides,[*]( In 403-402 B.C., when Eucleides was Archon Eponymous, the Ionian alphabet was officially adopted at Athens.) as well as by the last name, Archestratus, of whom there is no record during the Persian wars, while during the time of the Peloponnesian war his name often appears as that of a choral poet.