Caius Marcius Coriolanus

Plutarch

Plutarch. Plutarch's Lives, Vol. IV. Perrin, Bernadotte, translator. Cambridge, MA: Harvard University Press; London: William Heinemann Ltd., 1916.

But the Roman people showed more plainly, when they were set free from the war, the greatness of their fear and peril while it lasted. For as soon as those who manned the walls descried the Volscians drawing their forces off, every temple was thrown open, and the people crowned themselves with garlands and offered sacrifices as if for victory. But the joy of the city was most apparent in the honour and loving favour which both the senate and the whole people bestowed upon the women, declaring their belief that the city’s salvation was manifestly due to them.

When, however, the senate passed a decree that whatsoever they asked for themselves in the way of honour or favour, should be furnished and done for them by the magistrates, they asked for nothing else besides the erection of a temple of Women’s Fortune, the expense of which they offered to contribute of themselves, if the city would undertake to perform, at the public charge, all the sacrifices and honours, such as are due to the gods.

The senate commended their public spirit, and erected the temple and its image at the public charge,[*](Cf.Livy, ii. 40,11. ) but they none the less contributed money themselves and set up a second image of the goddess, and this, the Romans say, as it was placed in the temple, uttered some such words as these:

Dear to the gods, O women, is your pious gift of me.
[*](Cf. Dionysius, viii. 56. )

These words were actually uttered twice, as the story runs, which would have us believe what is difficult of belief and probably never happened. For that statues have appeared to sweat, and shed tears, and exude something like drops of blood, is not impossible; since wood and stone often contract a mould which is productive of moisture, and cover themselves with many colours, and receive tints from the atmosphere; and there is nothing in the way of believing that the Deity uses these phenomena sometimes as signs and portents.

It is possible also that statues may emit a noise like a moan or a groan, by reason of a fracture or a rupture, which is more violent if it takes place in the interior. But that articulate speech, and language so clear and abundant and precise, should proceed from a lifeless thing, is altogether impossible; since not even the soul of man, or the Deity, without a body duly organized and fitted with vocal parts, has ever spoken and conversed.