Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

The full periodic style is well adapted to the exordium of important cases, where the theme requires the orator to express anxiety, admiration or pity: the same is true of commonplaces and all kinds of amplification. But it should be severe when we are prosecuting and expansive in panegyric. It is also most effective in the peroration.

But we must only employ this form of rhythmical structure in its full development, when the judge has not merely got a grasp of the matter, but has been charmed by our style, surrendered himself to the pleader and is ready to be led whither we will, by the delight which he experiences. History does not so much demand full, rounded rhythms as a certain continuity of motion and connexion of style. For all its cola are closely linked

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together, while the fluidity of its style gives it great variety of movement; we may compare its motion to that of men, who link hands to steady their steps, and lend each other mutual support.

The demonstrative type of oratory requires freer and more expansive rhythms, while forensic and deliberative oratory will vary the arrangement of their words in conformity with the variety of their themes. I must now turn to discuss the first of the two points which I mentioned above. [*](Sect. 121.) No one will deny that some portions of our speech require a gentle flow of language, while others demand speed, sublimity, pugnacity, ornateness or simplicity, as the case may be,

or that long syllables are best adapted to express dignity, sublimity and ornateness. That is to say, while the gentler form of utterance requires length of vowel sounds, sublime and ornate language demands sonority as well. On the other hand, passages of an opposite character, such as those in which we argue, distinguish, jest or use language approximating to colloquial speech, are better served by short syllables.

Consequently in the exordium we shall vary our structure to suit the thought. For I cannot agree with Celsus, when he would impose a single stereotyped form upon the exordium and asserts that the best example of the structure required for this purpose is to be found in Asinius: e. g., si, Caesar, ex omnibus mortalibus, qui sunt ac fuerunt, posset huic causae disceptator legi, non quisquam te potius optandus nobis fuit. [*]( If, Caesar, one man of all that are or have ever been could be chosen to try this case, there is none whom we could have preferred to you. )