Res Gestae
Ammianus Marcellinus
Ammianus Marcellinus. Ammianus Marcellinus, with an English translation, Vols. I-III. Rolfe, John C., translator. Cambridge, MA; London: Harvard University Press; W. Heinemann, 1935-1940 (printing).
So, as had been agreed, as soon as the sun’s rays illumined the day, the
So there he stood rather wasted (you would think that he had come up from the lower world), and because a purple robe could nowhere be found, he was dressed in a gold-embroidered tunic, like an attendant at court, but from foot to waist he looked like a page in the service of the palace[*](The paedagogium was the apartment where pages or slaves were trained for service; cf. Pliny, Epist. vii. 27, 13, and xxix. 3, 3, below.) ; he wore purple shoes on his feet, and bore a lance, and a small piece of purple cloth in his left hand; just as sometimes on the stage you might think that a splendidly decorated figure was suddenly made to appear as the curtain was raised, or through some mimic deception.[*](The language is far from clear, but the general meaning is that he resembled some grotesque actor in a stage-play or mime; Salvète (see Bibliogr. Note, vol. i.) seems to take it to be a figure painted on the curtain. In that case through the curtain would mean by the curtain, as it was raised at the end of a performance; cf. Virg., Georg. iii. 24 f., vel scaena ut versis discedat frontibus utque purpureas intexti tollant aulaea Britanni. The curtain as it rises shows the figure a part at a time and the representation in a mime would be grotesque; Ammianus seems to have combined the two ideas. It is hard to see how per aulaeum can mean behind the curtain, as Büchele takes it, or that a figure on the stage could be seen through the curtain. Yonge omits per aulaeum altogether.)
Raised in a laughable
And as he advanced more boldly,[*](Val. takes intimidius as equivalent to timidius, com- paring Vell. ii. 37, 2, armis infractus. ) the people neither opposed nor favoured him; nevertheless, they were aroused by the sudden charm of novelty which is inborn in most of the commons, and they were still more strongly moved because they one and all (as we have already said) hated Petronius, who was enriching himself by violence, and was reviving transactions that were long since buried, and debts of the misty past brought up again against all classes.[*](See § 7, above.)
Accordingly, when the said Procopius had mounted the tribunal,[*](It was opposite the palace near the Senate House.) and all were filled with amazement, fearing the gloomy silence, and believing (as indeed he had expected) that he had merely come to a steeper road to death, since a trembling which pervaded all his limbs hindered his speaking, he stood for a long time without a
Certainly some may wonder that so laughable a reign, rashly and blindly begun, broke out into such lamentable disasters to the state, if perchance they are unacquainted with previous instances, and think that this happened for the first time.