Res Gestae

Ammianus Marcellinus

Ammianus Marcellinus. Ammianus Marcellinus, with an English translation, Vols. I-III. Rolfe, John C., translator. Cambridge, MA; London: Harvard University Press; W. Heinemann, 1935-1940 (printing).

For they avoid learned and serious people as unlucky and useless, in addition to which the announcers of names, who are wont to traffic in these and similar favours, on receiving a bribe, admit to the doles and the dinners obscure and low-born intruders.

But I pass over the gluttonous banquets and the various allurements of pleasures, lest I should go too far, and I shall pass to the fact that certain persons hasten without fear of danger through the broad streets of the city and over the upturned stones of the pavements as if they were driving post-horses with hoofs of fire (as the saying is), dragging after them armies of slaves like bands of brigands and not leaving even Sannio at home, as the comic writer says.[*](Terence, Eun., 780, solus Sannio servat domi. ) And many matrons, imitating them, rush about through all quarters of the city with covered heads and in closed litters.

And as skilful directors of battles place in the van dense throngs of brave soldiers, then light-armed troops, after them the javelin-throwers, and

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last of all the reserve forces, to enter the action in case chance makes it needful, just so those who have charge of a city household, made conspicuous by wands grasped in their right hands, carefully and diligently draw up the array; then, as if the signal had been given in camp, close to the front of the carriage all the weavers march; next to these the blackened service of the kitchen, then all the rest of the slaves without distinction, accompanied by the idle plebeians of the neighbourhood; finally, the throng of eunuchs, beginning with the old men and ending with the boys, sallow and disfigured by the distorted form of their members; so that, wherever anyone goes, beholding the troops of mutilated men, he would curse the memory of that Queen Samiramis of old, who was the first of all to castrate young males, thus doing violence, as it were, to Nature and wresting her from her intended course, since she at the very beginning of life, through the primitive founts of the seed, by a kind of secret law, shows the ways to propagate posterity.

In consequence of this state of things, the few houses that were formerly famed for devotion to serious pursuits now teem with the sports of sluggish indolence, re-echoing to the sound of singing and the tinkling of flutes and lyres. In short, in place of the philosopher the singer is called in, and in place of the orator the teacher of stagecraft, and while the libraries are shut up forever like tombs, water-organs are manufactured and lyres as large as carriages, and flutes and instruments heavy for gesticulating actors.

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At last we have reached such a state of baseness, that whereas not so very long ago, when there was fear of a scarcity of food, foreigners were driven neck and crop from the city,[*](This happened in 383; see Introd., p. xiii.) and those who practised the liberal arts (very few in number) were thrust out without a breathing space, yet the genuine attendants upon actresses of the mimes, and those who for the time pretended to be such, were kept with us, while three thousand dancing girls, without even being questioned, remained here with their choruses, and an equal number of dancing masters.

And, wherever you turn your eyes, you may see a throng of women with curled hair, who might, if they had married, by this time, so far as age goes, have already produced three children, sweeping the pavements[*](I.e. dancing on the mosaic pavements of great houses.) with their feet to the point of weariness and whirling in rapid gyrations, while they represent the innumerable figures that the stage-plays have devised.

Furthermore, there is no doubt that when once upon a time Rome was the abode of all the virtues, many of the nobles detained here foreigners of free birth by various kindly attentions, as the Lotuseaters of Homer[*](Odyssey, ix. 84 ff.) did by the sweetness of their fruits.

But now the vain arrogance of some men regards everything born outside the pomerium[*](Originally, the line within the city wall, marking the limit within which the auspices could be taken; the term pomerium was soon transferred to the strip of land between this line and the actual city wall. Here it means merely the wall of the city.) of our city as worthless, except the childless and unwedded; and it is beyond belief with what various kinds of obsequiousness men without children are courted at

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Rome.[*](This legacy hunting, by paying court to childless men and women, is satirized by Horace (Sat. ii. 5). The art was in vogue as early as Plautus’ time (see Miles, 705 ff.), but became a profession at the end of the Republic (cf. Cic., Paradoxa, v. 39) and under the Empire, followed even by some of the emperors (see Suet., Calig. 38, 2; Nero, 32, 2).)

And since among them, as is natural in the capital of the world, cruel disorders gain such heights that all the healing art is powerless even to mitigate them, it has been provided, as a means of safety, that no one shall visit a friend suffering from such a disease, and by a few who are more cautious another sufficiently effective remedy has been added, namely, that servants sent to inquire after the condition of a man’s acquaintances who have been attacked by that disorder should not be readmitted to their masters’ house until they have purified their persons by a bath. So fearful are they of a contagion seen only by the eyes of others.

But yet, although these precautions are so strictly observed, some men, when invited to a wedding, where gold is put into their cupped right hands, although the strength of their limbs is impaired, will run even all the way to Spoletium.[*](In Umbria. On aurum see Pliny, Epist. x. 116.) Such are the habits of the nobles.

But of the multitude of lowest condition and greatest poverty some spend the entire night in wineshops, some lurk in the shade of the awnings of the theatres, which Catulus[*](See Index, and Val. Max. ii. 4. 6. Q. Catulus primus spectantium cotnsessum velorum umbraculis texit.) in his aedileship, imitating Campanian wantonness, was the first to spread, or they quarrel with one another in their games at dice, making a disgusting sound by drawing back the breath into their resounding nostrils; or, which is the favourite among all amusements, from sunrise until evening, in sunshine and in rain, they stand open-mouthed, examining minutely the good

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points or the defects of charioteers and their horses.