Nero

At Rome also, being extremely proud of his singing, he ordered the games called Neronia to be celebrated before the time fixed for their return. All now becoming importunate to hear "his heavenly voice," he informed them, "that he would gratify those who desired it at the gardens." But the soldiers then on guard seconding the voice of the people, he promised to comply with their request immediately, and with all his heart. He instantly ordered his name to be entered upon the list of musicians who proposed to contend, and having thrown his lot into the urn among the rest, took his turn, and entered, attended by the prefects of the pretorian cohorts bearing his harp, and followed by the military tbunes, and several of his intimate friends. After he had taken his station, and made the usual prelude, he commanded Cluvius Rufus, a man of consular rank, to proclaim in the theatre, that he intended to sing the story of Niobe. This he accordingly did, and continued it until nearly ten o'clock, but deferred the disposal of the crown, and the remaining part of the solemnity, until the next year; that he might have more frequent opportunities of performing. But that being too long, he could not refrain from often appearing as a public performer during the interval. He made no scruple of exhibiting on the stage, even in the spectacles presented to the people by private persons, and was offered by one of the praetors, no less than a million of sesterces for his services. He likewise sang tragedies in a mask; the visors of the heroes and gods, as also of the heroines and goddesses, being formed into a resemblance of his own face, and that of any woman he was in love with. Amongst the rest, he sung "Canace in Labour,"[*](Canace was the daughter of an Etrurian king, whose incestuous intercourse with her brother having been detected, in consequence of the cries of the infant of which she was delivered, she killed herself. It was a joke at Rome, that some one asking, when Nero was performing in Canace, what the emperor was doing; a wag replied, "He is labouring in child-birth." ) "Orestes the Murderer of his Mother," "Oedipus Blinded," and "Hercules Mad." In the last tragedy, it is said that a young sentinel, posted at the entrance of the stage, seeing him in a prison dress and bound with fetters, as the fable of the play required, ran to his assistance.

He had from his childhood an extravagant passion for horses; and his constant talk was of the Circensian races, notwithstanding it was prohibited him. Lamenting once, among his fellow-pupils, the case of a charioteer of the green party, who was dragged round the circus at the tail of his chariot, and being reprimanded by his tutor for it, he pretended that he was talking of Hector. In the beginning of his reign, he used to amuse himself daily with chariots drawn by four horses, made of ivory, upon a table. He attended at all the lesser exhibitions in the circus, at first privately, but at last openly; so that nobody ever doubted of his presence on any particular day. Nor did he conceal his desire to have the number of the prizes doubled; so that the races being increased accordingly, the diversion continued until a late hour; the leaders of parties refusing now to bring out their companies for any time less than the whole day. Upon this, he took a fancy for driving the chariot himself, and that even publicly. Having made his first experiment in the gardens, amidst crowds of slaves and other rabble, he at length performed in the view of all the people, in the Circus Maximus, whilst one of his freedmen dropped the napkin in the place where the magistrates used to give the signal. Not satisfied with exhibiting various specimens of his skill in those arts at Rome, he went over to Achaia, as has been already said, principally for this purpose. The several cities, in which solemn trials of musical skill used to be publicly held, had resolved to send him the crowns belonging to those who bore away the prize. These he accepted so graciously, that he not only gave the deputies who brought them an immediate audience, but even invited them to his table. Being requested by some of them to sing at supper, and prodigiously applauded, he said, " the Greeks were the only people who had an ear for music, and were the only good judges of him and his attainments." Without delay he commenced his journey, and on his arrival at Cassiope, [*](A town in Corcyra, now Corfu. There was a sea-port of the same name in Epirus. ) exhibited his first musical performance before the altar of Jupiter Cassius.

He afterwards appeared at the celebrarion of all public games in Greece: for such as fell in different years, he brought within the compass of one, and some he ordered to be celebrated a second time in the same year. At Olympia, likewise, contrary to custom, he appointed a public performance of music: and that he might meet with no interruption in this employment, when he was informed by his freedman Helius, that affairs at Rome required his presence, he wrote to him in these words: "Though now all your hopes and wishes are for my speedy return, yet you ought rather to advise and hope that I may come back with a character worthy of Nero. During the time of his musical performance, nobody w s allowed to stir out of the theatre upon any account, hoever necessary; insomuch, that it is said some wome with child were delivered there. Many of the spectator being quite wearied with hearing and applauding hir, because the town gates were shut, slipped privately over . the walls; or counterfeiting themselves dead, were ca ried out for their funeral. With what extreme anxiety h engaged in these contests, with what keen desire to be r away the prize, and with how much awe of the judges, s scarcely to be believed. As if his adversaries had been on a level with himself he would watch them narrowly, defame them privately, and sometimes, upon meeting them, rail at them in very scurrilous language; or bribe them, if they were better performers than himself, He always addressed the judges with the most profound reverence before he began, telling them, " he had done all things that were necessary, by way of preparation, but that the issue of the approaching trial was in the hand of fortune; and that they, as wise and skilful men, ought to exclude from their judgment things merely accidental." Upon their encouraging him to have a good heart, he went off with more assurance, but not entirely free from anxiety; interpreting the silence and modesty of some of them into sourness and ill-nature, and saying that he was suspicious of them.

In these contests, he adhered so strictly to the rules, that he never durst spit, nor wipe the sweat from his forehead in any other way than with his sleeve. Having, in the performance of a tragedy, dropped his sceptre, and not quickly recovering it, he was in a great fright, lest he should be set aside for the miscarriage, and could not regain his assurance, until an actor who stood by swore he was certain it had not been observed in the midst of the acclamations and exultations of the people. When the prize was adjudged to him, he always proclaimed it himself; and even entered the list with the heralds. That no memory or the least monument might remain of any other victor in the sacred Grecian games, he ordered all their statues and pictures to be pulled down, dragged away with hooks, and thrown into the common sewers. He drove the chariot with various numbers of horses, and at the Olympic games with no fewer than ten; though, in a poem of his, he had reflected upon Mithridates for that innovation. Being thrown out of his chariot, he was again replaced, but could not retain his seat, and was obliged to give it up, before he reached the goal, but was crowned notwithstanding. On his departure he declared the whole province a free counry, and conferred upon the judges in the several games the freedom of Rome, with large sums of money. All these favours he proclaimed himself with his own voice, from the middle of the Stadium, during the solemnity of the Isthmian games.