On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

5. A regular flow of water through the orifice raises an inverted bowl, called by mechanicians the “cork” or “drum.” To this are attached a rack and a revolving drum, both fitted with teeth at regular intervals. These teeth, acting upon one another, induce a measured revolution and movement. Other racks and other drums, similarly toothed and subject to the same motion, give rise by their revolution to various kinds of motions, by which figures are moved, cones revolve, pebbles or eggs fall, trumpets sound, and other incidental effects take place.

6. The hours are marked in these clocks on a column or a pilaster, and a figure emerging from the bottom points to them with a rod throughout the whole day. Their decrease or increase in length with the different days and months, must be adjusted by inserting or withdrawing wedges. The shutoffs for regulating the water are constructed as follows. Two cones are made, one solid and the other hollow, turned on a lathe so that one will go into the other and fit it perfectly. A rod is used to loosen or to bring them together, thus causing the water to flow rapidly or slowly into the vessels. According to these rules, and by this mechanism, water clocks may be constructed for use in winter.

7. But if it proves that the shortening or lengthening of the

275
day is not in agreement with the insertion and removal of the wedges, because the wedges may very often cause errors, the following arrangement will have to be made. Let the hours be marked off transversely on the column from the analemma, and let the lines of the months also be marked upon the column. Then let the column be made to revolve, in such a way that, as it turns continuously towards the figure and the rod with which the emerging figure points to the hours, it may make the hours short or long according to the respective months.

8. There is also another kind of winter dial, called the Anaphoric and constructed in the following way. The hours, indicated by bronze rods in accordance with the figure of the analemma, radiate from a centre on the face. Circles are described upon it, marking the limits of the months. Behind these rods there is a drum, on which is drawn and painted the firmament with the circle of the signs. In drawing the figures of the twelve celestial signs, one is represented larger and the next smaller, proceeding from the centre. Into the back of the drum, in the middle, a revolving axis is inserted, and round that axis is wound a flexible bronze chain, at one end of which hangs the “cork” which is raised by the water, and at the other a counterpoise of sand, equal in weight to the “cork.”

9. Hence, the sand sinks as the “cork” is raised by the water, and in sinking turns the axis, and the axis the drum. The revolution of this drum causes sometimes a larger and sometimes a smaller portion of the circle of the signs to indicate, during the revolutions, the proper length of the hours corresponding to their seasons. For in every one of the signs there are as many holes as the corresponding month has days, and a boss, which seems to be holding the representation of the sun on a dial, designates the spaces for the hours. This, as it is carried from hole to hole, completes the circuit of a full month.

10. Hence, just as the sun during his passage through the constellations makes the days and hours longer or shorter, so the boss on a dial, moving from point to point in a direction contrary

276
to that of the revolution of the drum in the middle, is carried day by day sometimes over wider and sometimes over narrower spaces, giving a representation of the hours and days within the limits of each month. To manage the water so that it may flow regularly, we must proceed as follows.

11. Inside, behind the face of the dial, place a reservoir, and let the water run down into it through a pipe, and let it have a hole at the bottom. Fastened to it is a bronze drum with an opening through which the water flows into it from the reservoir. Enclosed in this drum there is a smaller one, the two being perfectly jointed together by tenon and socket, in such a way that the smaller drum revolves closely but easily in the larger, like a stopcock.

12. On the lip of the larger drum there are three hundred and sixty-five points, marked off at equal intervals. The rim of the smaller one has a tongue fixed on its circumference, with the tip directed towards those points; and also in this rim is a small opening, through which water runs into the drum and keeps the works going. The figures of the celestial signs being on the lip of the larger drum, and this drum being motionless, let the sign Cancer be drawn at the top, with Capricornus perpendicular to it at the bottom, Libra at the spectator's right, Aries at his left, and let the other signs be given places between them as they are seen in the heavens.

13. Hence, when the sun is in Capricornus, the tongue on the rim touches every day one of the points in Capricornus on the lip of the larger drum, and is perpendicular to the strong pressure of the running water. So the water is quickly driven through the opening in the rim to the inside of the vessel, which, receiving it and soon becoming full, shortens and diminishes the length of the days and hours. But when, owing to the daily revolution of the smaller drum, its tongue reaches the points in Aquarius, the opening will no longer be perpendicular, and the water must give up its vigorous flow and run in a slower stream. Thus, the less the

277
velocity with which the vessel receives the water, the more the length of the days is increased.