On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

9. As for the kind of material to be used, this does not depend upon the architect, for the reason that all kinds of materials are not found in all places alike, as has been shown in the first book. Besides, it depends on the owner whether he desires to build in brick, or rubble work, or dimension stone. Consequently the question of approving any work may be considered under three heads: that is, delicacy of workmanship, sumptuousness, and design. When it appears that a work has been carried out sumptuously, the owner will be the person to be praised for the great outlay which he has authorized; when delicately, the master workman will be approved for his execution; but when proportions and symmetry lend it an imposing effect, then the glory of it will belong to the architect.

10. Such results, however, may very well be brought about when he allows himself to take the advice both of workmen and of laymen. In fact, all kinds of men, and not merely architects, can recognize a good piece of work, but between laymen and the latter there is this difference, that the layman cannot tell what it is to be like without seeing it finished, whereas the architect, as soon as he has formed the conception, and before he begins the work, has a definite idea of the beauty, the convenience, and the propriety that will distinguish it. I have now described as clearly as I could what I thought necessary for private houses, and how to build them. In the following book I shall treat of the kinds of polished finish employed to make them elegant, and durable without defects to a great age.

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1. IT was a wise and useful provision of the ancients to transmit their thoughts to posterity by recording them in treatises, so that they should not be lost, but, being developed in succeeding generations through publication in books, should gradually attain in later times, to the highest refinement of learning. And so the ancients deserve no ordinary, but unending thanks, because they did not pass on in envious silence, but took care that their ideas of every kind should be transmitted to the future in their writings.

2. If they had not done so, we could not have known what deeds were done in Troy, nor what Thales, Democritus, Anaxagoras, Xenophanes, and the other physicists thought about nature, and what rules Socrates, Plato, Aristotle, Zeno, Epicurus, and other philosophers laid down for the conduct of human life; nor would the deeds and motives of Croesus, Alexander, Darius, and other kings have been known, unless the ancients had compiled treatises, and published them in commentaries to be had in universal remembrance with posterity.

3. So, while they deserve our thanks, those, on the contrary, deserve our reproaches, who steal the writings of such men and publish them as their own; and those also, who depend in their writings, not on their own ideas, but who enviously do wrong to the works of others and boast of it, deserve not merely to be blamed, but to be sentenced to actual punishment for their wicked course of life. With the ancients, however, it is said that such things did not pass without pretty strict chastisement. What the results of their judgments were, it may not be out of place to set forth as they are transmitted to us.

4. The kings of the house of Attalus having established, under the influence of the great charms of literature, an excellent

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library at Pergamus to give pleasure to the public, Ptolemy also was aroused with no end of enthusiasm and emulation into exertions to make a similar provision with no less diligence at Alexandria. Having done so with the greatest care, he felt that this was not enough without providing for its increase and development, for which he sowed the seed. He established public contests in honour of the Muses and Apollo, and appointed prizes and honours for victorious authors in general, as is done in the case of athletes.

5. These arrangements having been made, and the contests being at hand, it became necessary to select literary men as judges to decide them. The king soon selected six of the citizens, but could not so easily find a proper person to be the seventh. He therefore turned to those who presided over the library, and asked whether they knew anybody who was suitable for the purpose. Then they told him that there was one Aristophanes who was daily engaged in reading through all the books with the greatest enthusiasm and the greatest care. Hence, when the gathering for the contests took place, and separate seats were set apart for the judges, Aristophanes was summoned with the rest, and sat down in the place assigned to him.

6. A group of poets was first brought in to contend, and, as they recited their compositions, the whole audience by its applause showed the judges what it approved. So, when they were individually asked for their votes, the six agreed, and awarded the first prize to the poet who, as they observed, had most pleased the multitude, and the second to the one who came next. But Aristophanes, on being asked for his vote, urged that the poet who had least pleased the audience should be declared to be the first.

7. As the king and the entire assembly showed great indignation, he arose, and asked and received permission to speak. Silence being obtained, he stated that only one of them—his man a poet, and that the rest had recited things not their own; furthermore, that judges ought to give their approval, not to

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thefts, but to original compositions. The people were amazed, and the king hesitated, but Aristophanes, trusting to his memory, had a vast number of volumes brought out from bookcases which he specified, and, by comparing them with what had been recited, obliged the thieves themselves to make confession. So, the king gave orders that they should be accused of theft, and after condemnation sent them off in disgrace; but he honoured Aristophanes with the most generous gifts, and put him in charge of the library.