On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

6. Then let another line be drawn, beginning at a point situated at a distance of one and a half parts toward the inside from the line previously let fall down along the edge of the abacus. Next, let these lines be divided in such a way as to leave four and a half parts under the abacus; then, at the point which forms the division between the four and a half parts and the remaining three and a half, fix the centre of the eye, and from that centre describe a circle with a diameter equal to one of the eight parts. This will be the size of the eye, and in it draw a diameter on the line of the “cathetus.” Then, in describing the quadrants, let the size of each be successively less, by half the diameter of the eye, than that which begins under the abacus, and proceed from the eye until that same quadrant under the abacus is reached.

7. The height of the capital is to be such that, of the nine and a half parts, three parts are below the level of the astragal at the top of the shaft, and the rest, omitting the abacus and the channel,

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belongs to its echinus. The projection of the echinus beyond the fillet of the abacus should be equal to the size of the eye. The projection of the bands of the cushions should be thus obtained: place one leg of a pair of compasses in the centre of the capital and open out the other to the edge of the echinus; bring this leg round and it will touch the outer edge of the bands. The axes of the volutes should not be thicker than the size of the eye, and the volutes themselves should be channelled out to a depth which is one twelfth of their height. These will be the symmetrical proportions for capitals of columns twenty-five feet high and less. For higher columns the other proportions will be the same, but the length and breadth of the abacus will be the thickness of the lower diameter of a column plus one ninth part thereof; thus, just as the higher the column the less the diminution, so the projection of its capital is proportionately increased and its breadth [*](Codd. altitudo)is correspondingly enlarged.

8. With regard to the method of describing volutes, at the end of the book a figure will be subjoined and a calculation showing how they may be described so that their spirals may be true to the compass.

The capitals having been finished and set up in due proportion to the columns (not exactly level on the columns, however, but with the same measured adjustment, so that in the upper members there may be an increase corresponding to that which was made in the stylobates), the rule for the architraves is to be as follows. If the columns are at least twelve feet and not more than fifteen feet high, let the height of the architrave be equal to half the thickness of a column at the bottom. If they are from fifteen feet to twenty, let the height of a column be measured off into thirteen parts, and let one of these be the height of the architrave. If they are from twenty to twenty-five feet, let this height be divided into twelve and one half parts, and let one of them form the height of the architrave. If they are from twenty-five feet to thirty, let it be divided into twelve parts, and let one of

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them form the height. If they are higher, the heights of the architraves are to be worked out proportionately in the same manner from the height of the columns.

9. For the higher that the eye has to climb, the less easily can it make its way through the thicker and thicker mass of air. So it fails when the height is great, its strength is sucked out of it, and it conveys to the mind only a confused estimate of the dimensions. Hence there must always be a corresponding increase in the symmetrical proportions of the members, so that whether the buildings are on unusually lofty sites or are themselves somewhat colossal, the size of the parts may seem in due proportion. The depth of the architrave on its under side just above the capital, is to be equivalent to the thickness of the top of the column just under the capital, and on its uppermost side equivalent to the foot of the shaft.

10. The cymatium of the architrave should be one seventh of the height of the whole architrave, and its projection the same. Omitting the cymatium, the rest of the architrave is to be divided into twelve parts, and three of these will form the lowest fascia, four, the next, and five, the highest fascia. The frieze, above the architrave, is one fourth less high than the architrave, but if there are to be reliefs upon it, it is one fourth higher than the architrave, so that the sculptures may be more imposing. Its cymatium is one seventh of the whole height of the frieze, and the projection of the cymatium is the same as its height.