On Architecture

Vitruvius Pollio

Vitruvius Pollio, creator; Morgan, M. H. (Morris Hicky), 1859-1910, translator

6. From such specimens we can draw our inferences with regard to the devices used in the buildings of antiquity, and conclude that they were similar. Furthermore, as men made progress by becoming daily more expert in building, and as their ingenuity was increased by their dexterity so that from habit they attained to considerable skill, their intelligence was enlarged by their industry until the more proficient adopted the trade of carpenters. From these early beginnings, and from the fact that nature had not only endowed the human race with senses like the rest of the animals, but had also equipped their minds with the powers of thought and understanding, thus putting all other animals under their sway, they next gradually advanced from the construction of buildings to the other arts and sciences, and so passed from a rude and barbarous mode of life to civilization and refinement.

7. Then, taking courage and looking forward from the standpoint of higher ideas born of the multiplication of the arts, they gave up huts and began to build houses with foundations, having

41
brick or stone walls, and roofs of timber and tiles; next, observation and application led them from fluctuating and indefinite conceptions to definite rules of symmetry. Perceiving that nature had been lavish in the bestowal of timber and bountiful in stores of building material, they treated this like careful nurses, and thus developing the refinements of life, embellished them with luxuries. Therefore I shall now treat, to the best of my ability, of the things which are suitable to be used in buildings, showing their qualities and their excellencies.

8. Some persons, however, may find fault with the position of this book, thinking that it should have been placed first. I will therefore explain the matter, lest it be thought that I have made a mistake. Being engaged in writing a complete treatise on architecture, I resolved to set forth in the first book the branches of learning and studies of which it consists, to define its departments, and to show of what it is composed. Hence I have there declared what the qualities of an architect should be. In the first book, therefore, I have spoken of the function of the art, but in this I shall discuss the use of the building materials which nature provides. For this book does not show of what architecture is composed, but treats of the origin of the building art, how it was fostered, and how it made progress, step by step, until it reached its present perfection.

9. This book is, therefore, in its proper order and place. I will now return to my subject, and with regard to the materials suited to the construction of buildings will consider their natural formation and in what proportions their elementary constituents were combined, making it all clear and not obscure to my readers. For there is no kind of material, no body, and no thing that can be produced or conceived of, which is not made up of elementary particles; and nature does not admit of a truthful exploration in accordance with the doctrines of the physicists without an accurate demonstration of the primary causes of things, showing how and why they are as they are.

42

1. FIRST of all Thales thought that water was the primordial substance of all things. Heraclitus of Ephesus, surnamed by the Greeks skoteino\s on account of the obscurity of his writings, thought that it was fire. Democritus and his follower Epicurus thought that it was the atoms, termed by our writers “bodies that cannot be cut up,” or, by some, “indivisibles.” The school of the Pythagoreans added air and the earthy to the water and fire. Hence, although Democritus did not in a strict sense name them, but spoke only of indivisible bodies, yet he seems to have meant these same elements, because when taken by themselves they cannot be harmed, nor are they susceptible of dissolution, nor can they be cut up into parts, but throughout time eternal they forever retain an infinite solidity.

2. All things therefore appear to be made up and produced by the coming together of these elements, so that they have been distributed by nature among an infinite number of kinds of things. Hence I believed it right to treat of the diversity and practical peculiarities of these things as well as of the qualities which they exhibit in buildings, so that persons who are intending to build may understand them and so make no mistake, but may gather materials which are suitable to use in their buildings.

1. BEGINNING with bricks, I shall state of what kind of clay they ought to be made. They should not be made of sandy or pebbly clay, or of fine gravel, because when made of these kinds they are in the first place heavy; and, secondly, when washed by

43
the rain as they stand in walls, they go to pieces and break up, and the straw in them does not hold together on account of the roughness of the material. They should rather be made of white and chalky or of red clay, or even of a coarse grained gravelly clay. These materials are smooth and therefore durable; they are not heavy to work with, and are readily laid.

2. Bricks should be made in Spring or Autumn, so that they may dry uniformly. Those made in Summer are defective, because the fierce heat of the sun bakes their surface and makes the brick seem dry while inside it is not dry. And so the shrinking, which follows as they dry, causes cracks in the parts which were dried before, and these cracks make the bricks weak. Bricks will be most serviceable if made two years before using; for they cannot dry thoroughly in less time. When fresh undried bricks are used in a wall, the stucco covering stiffens and hardens into a permanent mass, but the bricks settle and cannot keep the same height as the stucco; the motion caused by their shrinking prevents them from adhering to it, and they are separated from their union with it. Hence the stucco, no longer joined to the core of the wall, cannot stand by itself because it is so thin; it breaks off, and the walls themselves may perhaps be ruined by their settling. This is so true that at Utica in constructing walls they use brick only if it is dry and made five years previously, and approved as such by the authority of a magistrate.