Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

Cicero, [*](de Inv. i. 2. ) it is true, attributes the origin of oratory to the founders of cities and the makers of laws, who must needs have possessed the gift of eloquence. But why he thinks this the actual origin, I cannot understand, since there still exist certain nomad peoples without cities or laws, and yet members of these peoples perform the duties of ambassadors, accuse and defend, and regard one man as a better speaker than another.

The art of oratory, as taught by most authorities, and those the best, consists of five parts:- invention, arrangement, expression, memory, and delivery or action (the two latter terms being used synonymously). But all speech expressive of purpose involves also a subject and words.

If such expression is brief

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and contained within the limits of one sentence, it may demand nothing more, but longer speeches require much more. For not only what we say and how we say it is of importance, but also the circumstances under which we say it. It is here that the need of arrangement comes in. But it will be impossible to say everything demanded by the subject, putting each thing in its proper place, without the aid of memory.

It is for this reason that memory forms the fourth department. But a delivery, which is rendered unbecoming cither by voice or gesture, spoils everything and almost entirely destroys the effect of what is said. Delivery therefore must be assigned the fifth place.

Those (and Albutins is among them), who maintain that there are only three departments on the ground that memory and delivery (for which I shall give instructions in their proper place [*](Book II. claps. ii. and iii.) ) are given us by nature not by art, may be disregarded, although Thrasymachus held the same views as regards delivery.