Institutio Oratoria

Quintilian

Quintilian. Institutio Oratoria, Volume 1-4. Butler, Harold Edgeworth, translator. Cambridge, Mass; London: Harvard University Press, William Heinemann Ltd., 1920-1922.

The same differences exist between sculptors. The art of Callon and Hegesias [*]( Callon of Aegina and Hegesias flourished in the latter years of the 6th century. Calamis of Athens and Myron of Eleutheae, first half of 5th centuryy. Phidlias of Athens and Polyelitus of Argos, the two most famous sculptors of the second half of 5th century. Praxiteles, middle of 4th century. Lysippus and Demetrius, last half of 4th century. ) is somewhat rude and recalls the Etruscans, but the work of Calamis has already begun to be less stiff, while Myron's statues show a greater softness of form than had been achieved by the artists just mentioned. Polyclitus surpassed all others for care and grace, but although the majority of critics account him as the greatest of sculptors, to avoid making him faultless they express the opinion that his work is lacking in grandeur.